I’m shocked and delighted that my long-running space opera series, The Universe of Xuya, and its latest outing, The Tea Master and the Detective, are finalists for a Hugo Award for Best Series and Best Novella, respectively. I conceived of Xuya as a sandbox where I could tell my stories –of family, and children, and what is passed on between generations, of a galactic empire taking its cues from Confucianism, Daoism and Buddhism as in the stories I grew up with–of people of Vietnamese descent who got to go into space and build their own societies and stories. The universe has been with me for a long time, growing alongside my career. It means a lot to me to see this recognised.
My deepest thanks to everyone who nominated it and spread the word. Thanks as well to everyone who made this possible by publishing the stories, and in particular the latest book, The Tea Master and the Detective–many thanks to Yanni Kuznia, Geralyn Lance, and everyone at Subterranean Press for a gorgeous and much successful book–and to John Berlyne, Joshua Bilmes, Lisa Rodgers, Patrick Disshelhorst and everyone at JABberwocky for the non-North American edition. And to my friends and to my fans, for the support that always keeps me going.
Also many congratulations to everyone on the ballot as this is a truly awesome list.
Thrilled to reveal the cover of the ebook edition of the Tea Master and the Detective outside North America. Isn’t it gorgeous? Also yesss I got an áo dài on a cover!!! (the áo dài is a traditional Vietnamese female dress). Art and design is by Dirk Berger , with many many thanks to John Berlyne for his help, as well as Likhain, Kate Elliott, Vida Cruz, Sebb, Stephanie Burgis and Patrick Samphire.
The book will be out April 2nd from JABberwocky, but you can preorder it right now on Amazon, Kobo, and iBooks!
If you’re in North America, Subterranean is now shipping both the book and the ebook: it will become available at major retailers March 31st, 2018.
Here’s the summary:
Once, the mindship known as The Shadow’s Child was a military transport. Once, she leapt effortlessly between stars and planets, carrying troops and crew for a war that tore the Empire apart. Until an ambush killed her crew and left her wounded and broken.
Now the war is over, and The Shadow’s Child, surviving against all odds, has run away. Discharged and struggling to make a living, she has no plans to go back into space. Until the abrasive and arrogant scholar Long Chau comes to see her. Long Chau wants to retrieve a corpse for her scientific studies: a simple enough, well-paid assignment.
But when the corpse they find turns out to have been murdered, the simple assignment becomes a vast and tangled investigation, inexorably leading back to the past–and, once again, to that unbearable void where The Shadow’s Child almost lost both sanity and life…
A terrific piece of writing, taking the sentient community of ships from Ian Bank’s Culture series, the glittering belt of space habitats from Alastair Reynolds’ Prefect novels, and adding in a compelling pair as the title characters.
“This slim volume packs a visceral punch. Absorbing prose takes the reader in the dark, frigid space between the stars, where ships can fail, physically and emotionally, as well as people. (…) an imaginative read.
Library Journal (starred review)
De Bodard constructs a convincingly gritty setting and a pair of unique characters with provocative histories and compelling motivations. The story works as well as both science fiction and murder mystery, exploring a future where pride, guilt, and mercy are not solely the province of humans.
Ingenious… As a classical blend of far-future SF and traditional murder mystery, The Tea Master and the Detective should satisfy readers unfamiliar with the Xuya universe, but at the same time it’s an intriguing introduction to that universe, much of which seems to lie just outside the borders of this entertaining tale.
This book shows sharp, intelligent dialogue with wildly peculiar worlds and spaces. The elegant weaving of narrative is what we’ve come to expect from de Bodard’s unique style. This is the opposite of a closed-room mystery, an open-space mystery which pushes the boundaries of A.I-as-person and genius-as-misanthropic-detective. Deeply affecting and always entertaining, The Tea Master and the Detective should be your next read.
Just a quick note that although the official release date for The Tea Master and the Detective (my “Sherlock Holmes if Holmes were an eccentric scholar and Watson a grumpy discharged war mindship” book) is March 31st, they’re in the Subterranean warehouse: if you order it from them directly they will ship them! (I have an author copy and it’s a gorgeous gorgeous book)
The North American ebook edition is also up at their website (a quick reminder that for ebooks outside of North America, we’re looking at options–stay tuned. You can subscribe to the newsletter if you want to be notified).
Meanwhile, reviews have been coming in and they’re… something °_°
What people are saying:
The Tea Master and the Detective is the Sherlock Holmes retelling I always wanted and now I have it. And I want so much more of it.
A terrific piece of writing, taking the sentient community of ships from Ian Bank’s Culture series, the glittering belt of space habitats from Alastair Reynolds’ Prefect novels, and adding in a compelling pair as the title characters.
De Bodard constructs a convincingly gritty setting and a pair of unique characters with provocative histories and compelling motivations. The story works as well as both science fiction and murder mystery, exploring a future where pride, guilt, and mercy are not solely the province of humans.
Ingenious… As a classical blend of far-future SF and traditional murder mystery, The Tea Master and the Detective should satisfy readers unfamiliar with the Xuya universe, but at the same time it’s an intriguing introduction to that universe, much of which seems to lie just outside the borders of this entertaining tale.
It becomes clear early on that The Tea Master and the Detective is strongly influenced by, if not directly based upon, the Sherlock Holmes and Dr. Watson stories of Arthur Conan Doyle. It’s measured, almost stately, up until the conclusion, where the tension explodes into high gear. It preserves the empathy and the intensity of the original Sherlockian stories, while being told in de Bodard’s cut-glass prose and inimitable modern style. This is a really satisfying story, deeply invested in choosing to do the right thing – and in the importance of kindness. I strongly recommend it.
