So, since everyone is doing it, the obligatory awards eligibility post…
I only published three original pieces of short fiction this year, and of these the one that has the most visibility is this one (it got noticed in Rich Horton’s year-end summary of Asimov’s, among other things):
-“Shipbirth”, published in the February 2011 issue of Asimov’s, best described as “Aztecs in space”. Eligible in the short story category. If you’re interested, I’ve put it online here (it’s in EPUB and MOBI format as well, for ereaders).
On a not-so-selfish note, meanwhile, here’s the stuff I read this year that was awesome:
-Nancy Fulda, “Movement” (Asimov’s March issue). OK, I’m biased. I read an early draft of this and loved it. But Lois Tilton and Jason Sanford also think it’s a great story, so I’m not the only one. It’s in the point of view of a child with temporal autism and a unique outlook on life–but what happens when her parents want to cure her of her “disease”?
-Yoon Ha Lee, “Ghostweight” (Clarkesworld, January 2011). I’m a big Yoon Ha Lee fan, and this story is awesome. It’s about a woman (and an entire people) who carry the souls of the dead, and how far she’s willing to go to get revenge against the empire that destroyed her home. It’s also about origami, and war-kites, and change. Wonderful from beginning to end.
-Ferrett Steimetz, “Run, Bacri Says” (Asimov’s October 2011). The premise is goofy (what if you could save your life like in videogames, and then rewind to the save point); the story is anything but, taking the reader along with it, and raising hard questions about the worth of actions. Good, in a very disturbing kind of way. And also recommended by Lois Tilton.
-Rochita Loenen-Ruiz, “Return to Paraiso” (Realms of Fantasy, October 2011). A wonderful piece, set in a fantastical version of the Philippines, with a rebel returning to her home in a cage, and the effect she has on the community. Chockful of detail, with a strong voice reminiscent of the best magical realists. Track it online and read it, you won’t regret it. Plus, it has an awesome illustration.
-“The Man Who Ended History: a Documentary”, Ken Liu (available online here at Ken’s website, originally published in Panverse Three). Ken had a lot of very good stories this year, but this one is my favourite (narrow tie between this and “Paper Menagerie in F&SF, though). It deals with a novel method of observing history–about what this means for memory, for the victims of atrocities and their descendants, and for history as a discipline. It’s a harrowing look at a dark episode in the history of Asia, too, and will definitely make you think.
–Zoo City, Lauren Beukes. It won the Clarke Award, and deservedly so–a rich thriller set in a world where criminals acquire an animal familiar who gives them supernatural power, the novel follows Zinzi December through Johannesburg and the titular slum–and her attempts to make sense of the mysterious disappearance of a singer. Bursting at the seams with wonderful world-building and a sharp eye for details and voice, this should make final ballots if there’s any justice.
-Zen Cho (qian on LJ) is eligible for the Campbell! You should totally read her Malaysian-vampire novelette, “The House of Aunts” in Giganotosaurus, and her short story (?) about lion dancers and exorcisms, “起狮，行礼 (Rising Lion—The Lion Bows)” in Strange Horizons.
Other than that… I haven’t been reading much short fiction or recent novels lately. What’s out there that’s award-worthy? I still have ten days (for the BSFA), and a couple of months (for the Hugos and Nebulas) to catch up on stuff… Any recs much appreciated (feel free to plug yourself, too). Thanks in advance!
ETA: Ken’s novella is actually available on his website (thanks to Dario Ciriello for the link). Go check it out!