Tag: schedule

Final Worldcon schedule

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So, I got my final Worldcon schedule, and I’m going to be busy (in a pretty awesome way). As a reminder (taking a leaf from Kate Elliott’s book), I go to cons to meet people, so don’t be shy if you see me and want to talk. I’m also quite happy signing stuff and/or talking outside of panels (provided I’m not running on my way to elsewhere, of course!).

Below is where you can find me:

Autographing
Thursday 15:00 – 16:30, Autographing Space (ExCeL)
I will have signed postcards featuring the On a Red Station, Drifting artwork, and possibly a few other books: notably, I’m working on a POD edition of On a Red Station, but am not at all sure I’d have those with me.

Universal Language: Good or Bad?
Thursday 18:00 – 19:00, Capital Suite 14 (ExCeL)
Is a universal language possible? How might that be achieved and would achieving it necessitate destroying our own languages and way of thinking? Would we want to create one in addition to our own languages and if so, should it be spoken or signed?
Michael Burianyk (M), Dr. Bettina Beinhoff, Aliette de Bodard, Anna Feruglio Dal Dan, Jesi Pershing

Feeding the Imagination: Food in SF/F
Friday 11:00 – 12:00, Capital Suite 3 (ExCeL)
The food in George R.R. Martin’s A Song of Ice and Fire series is described in such detail that cookbooks have been published in response. What other genre works have focused heavily on food to develop the world and characters? What does food say about an invented society? Are stories that lack an exploration of the diet of their characters lacking something?
Shana Worthen (M) , Aliette de Bodard, Gillian Polack, Jo Walton , Fran Wilde

Content and Form: Writing SF/F in non-Western Modes
Friday 13:30 – 15:00, Capital Suite 8 (ExCeL)
Sofia Samatar recently suggested that SF genre writers and readers have “a tendency to focus on content rather than form”, even or especially when engaging with marginalised perspectives. Does our genre inevitably tend towards the form and structure of western, English-language stories, regardless of what cultural tradition(s) are reflected in the content? How can a non-western or non-Anglophone writer engage with science fiction and fantasy while also operating outside of the conventions of western-style storytelling? Is it possible for western writers to engage with non-western traditions in an authentic way and produce a story that a wider audience will recognize as science fiction or fantasy? What are some of the different forms offered by non-western cultures that need to be told?
Amal El-Mohtar (M), Aliette de Bodard, Rochita Loenen-Ruiz, JY Yang, Nick Wood

Kaffeeklatsch
Friday 17:00 – 18:00, London Suite 5 (ExCeL)

Reading
Saturday 10:00 – 10:30, London Suite 1 (ExCeL)
I haven’t made a firm decision on what I’m reading, but it’s likely to be an excerpt from the novel aka fantasy set in sideways version of Belle Epoque Paris–your chance to find out more ^^

Always Outside, Looking In?
Saturday 15:00 – 16:30, Capital Suite 16 (ExCeL)
How do writers from non-Anglophone countries relate to so-called “traditional SF”, and the expectations of Anglophone publishers and readers? What are the processes and considerations behind writing in a language that is not your first, or in seeing your work translated into English? While it’s often assumed that non-Anglophone writers all want to see their work reach the English audience, are there any circumstances under which a writer might choose not to? In a 2013 interview on the World SF blog, UAE writer Noura al-Noman said about one of her novels: “The whole idea behind ‘Ajwan’ was to provide Arabic content for teens … The subject matter [sci-fi] made Arabic seem more approachable to them … I am going to wait a bit before I publish it in English.”
Thomas Olde Heuvelt (M), Jesús Cañadas, Aliette de Bodard, Ju Honisch , Floris M. Kleijne

Environmentalism in Anime
Sunday 10:00 – 11:00, Capital Suite 2 (ExCeL)
Images of environmental destruction — or the complete replacement of nature with metal and concrete mega-cities — are common in anime. But there is also a tradition of anime and manga that preserves and honours nature: think of MuShiShi, or Nausicaa of the Valley of the Wind. Where else are ecologically-aware narratives found, and what is their focus? Is the environmentalism of anime primarily one of nostalgia and conservationism, or technological conquest?
Anushia Kandasivam (M), Adrian (Ade) Brown, Aliette de Bodard, Ian Murphy

Sunday evening, from 6pm onwards: Hugo Reception, Hugo Awards and Hugo Losers’ Ceremony.
I am ready to deliver on my promise to bring a snakelet in a suit onstage, should I (against all odds) find myself in a position to give an acceptance speech.

Eastercon schedule

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Since it’s gone public on the website, here’s my Eastercon schedule as it looks now:

Saturday, 12 noon, Main: “Non Western SF and Fantasy”

Anglophone writers and books by westerners still dominate the bookshelves, but Japan, China and India (to take three examples) also have thriving sff traditions. The panel look at the trends outside the Anglophone and western worlds. Rochita Loenen-Ruiz moderates Aliette de Bodard, Stephane Marsan, Sarah Newton and Gillian Redfearn.

Saturday, 17:00, Rowan, “Motherhood in SF and Fantasy”

Where are the mothers in our depictions of future societies and fantasy worlds? Very often absent or ignored. Our panel looks at the depictions of motherhood and asks what more we can do. Terry Jackman moderates Aliette de Bodard, Chris Beckett, Mike Cobley and Rochita Loenen-Ruiz.

Saturday, 19:00, Conservatory, “Get-Together”

Meet authors and get books signed

Sunday, 11:00, Rowan, “Why is the Future Drawn so White?”

When the protagonist of Justine Larbalastier’s Liar was whitewashed in the cover art, both the author and the internet were outraged and the cover was eventually changed. Yet characters of colour are still all too often absent or elided. How can we work to challenge this and why does it happen? Caroline Hooton moderates Dev Agarwal, Aliette de Bodard, CE Murphy, Tajinder Singh Hayer and Stephanie Saulter.

Sunday, 13:00, Boardroom, “Advice for Writers: Setting”

Practical experience and observations on writing believable and detailed environments. Darren Nash moderates Chris Beckett, Aliette de Bodard, Simon Morden and Gaie Sebold.

Sunday, 19:00, Main, “BSFA Awards/Loncon 3 update”

Award Administrator Donna Scott and Master of Ceremonies Paul Cornell, assisted by our Guests of Honour, present the BSFA Awards for 2012. They then hand over to the LonCon 3 team for a presentation and update on next year’s UK Worldcon. (I’ll be presenting the James White Award at the beginning of the ceremony)

Eastercon schedule

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So, this is what I’ll be getting up to:

Saturday, 12:30-2:00pm, Waterstone’s Birmingham High Street: Angry Robot signing

Saturday, from 4pm, Churchill: Angry Robot signing
Yes, this is the AR afternoon. Featuring Lavie Tidhar, Lauren Beukes, Colin Harvey, John Meaney/Thomas Blackthorne, Dan Abnett, Andy Remic, and Ian Whates (hope I haven’t forgotten anyone…). Come see us!

Sunday, 7:30pm-9:00pm, Gladstone: Author reading with the fabulous Simon Morden.

(full programme grid here, though lacking the names of participants)

I was on a panel, but sadly it looks like I can’t be signing and panelling at the same time…

Also, not making any promises, but there should be some baking happening before Eastercon–think sweet things 🙂

Otherwise, I’ll be in the bar. Not sure yet about my arrival time, but I should be operational Friday late evening (10:00pm-ish), and I’ll be leaving Monday in the afternoon. Looking forward to seeing some of you there!

ETA: adjusted schedule to reflect new signing times (there’s a snafu with the grids, which is that they only work modulo 90 minutes…)

And a small (belated) reminder…

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… that I’ll be in London’s Forbidden Planet tomorrow at 6pm, signing copies of Servant of the Underworld. John Meaney/Thomas Blackthorne will also be there, signing copies of his latest Angry Robot offering, Edge.

Details here (including how you can win a replica Aztec Sun Stone, and a Tuckerisation in the next Thomas Blackthorne novel).

Now if you’ll excuse me, I’m off to pack :=)

Utopiales

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I’ll be attending my first ever Utopiales in Nantes: the BF and I need a break (he defends his thesis tomorrow, and we both could use a bit of rest after the wringing the PhD has put us through). No programming, though: just enjoying the con, and seeing some friends.

(I’m attempting to get a professional pass by virtue of being an author; we’ll see how it goes 🙂 )