Tag: meme

Meme on cooking utensils

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Via starlady38, a very kitchen-y meme:

Bold the ones you have and use at least once a year, italicize the ones you have and don’t use, strike through the ones you have had but got rid of.

I wonder how many pasta machines, breadmakers, juicers, blenders, deep fat fryers, egg boilers, melon ballers, sandwich makers, pastry brushes, cheese knives, electric woks, miniature salad spinners, griddle pans, jam funnels, meat thermometers, filleting knives, egg poachers, cake stands, garlic presses, margarita glasses, tea strainers, bamboo steamers, pizza stones, coffee grinders, milk frothers, piping bags, banana stands, fluted pastry wheels, tagine dishes, conical strainers, rice cookers, steam cookers, pressure cookers, slow cookers, spaetzle makers, cookie presses, gravy strainers, double boilers (bains marie), sukiyaki stoves, food processors, ice cream makers, takoyaki makers, and fondue sets languish dustily at the back of the nation’s cupboards.

I use my garlic press all the time, mainly because I love to put garlic in everything. Also, if the vampire apocalypse ever comes to pass, I’ll be well prepared. I also had to google most of these, because I didn’t know they existed (cookie presses? sandwich makers? Wow), and wasn’t altogether sure of some things: for instance, our pressure cooker doubles as a steam cooker thanks to a handy basket, and we have a raclette set but no fondue set (I’m assuming a lot of these are typically American British equipment)

It goes without saying that our rice cooker sees heavy use :p

The mistressworks of SF

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There’s been a discussion on the blogosphere recently about women in SF, and their tendency to generally get ignored, whether by readers, awards or critics. In order to remedy this, a number of people have started discussions (see Torque Control for discussions of Justina Robson’s Natural History, Elizabeth Moon’s The Speed of Dark, and other future classics written by women), as well as lists. I’m linking to Ian Sales, who compiled two such lists: one of “mistressworks” (the female equivalent of Gollancz’s Masterworks series in the UK, which showcase classic SF but end up with a strong male dominance); the other one of works by 21st-Century women writers. (Kev McVeigh gave me a more complete list of 150 female SF writers, but it’s not online that I can find, which is here).

So, without further ado, my bit for the first meme (will get around to the second at some point):

You know how it works: bold those you’ve read, italicise those you own but have not read. (If you’ve read the entire named series, you can even emboldenize that as well.)

1 Frankenstein, Mary Shelley (1818)
2 Herland, Charlotte Perkins Gilman (1915)
3 Orlando, Virginia Woolf (1928)
4 Lest Ye Die, Cicely Hamilton (1928)
5 Swastika Night, Katherine Burdekin (1937)
(6 Wrong Side of the Moon, Francis Leslie Ashton (1951), removed because Francis Leslie Ashton is a man)
7 The Sword of Rhiannon, Leigh Brackett (1953)
8 Pilgrimage: The Book of the People, Zenna Henderson (1961)
9 Memoirs of a Spacewoman, Naomi Mitchison (1962)
10 Witch World, Andre Norton (1963)
11 Sunburst, Phyllis Gotlieb (1964)
12 Jirel of Joiry, CL Moore (1969)
13 Heroes and Villains, Angela Carter (1969)
14 Ten Thousand Light Years From Home, James Tiptree Jr (1973)
15 The Dispossessed, Ursula K Le Guin (1974)
16 Walk to the End of the World, Suzy McKee Charnas (1974)
17 The Female Man, Joanna Russ (1975)
18 Missing Man, Katherine MacLean (1975)
19 Arslan, MJ Engh (1976)
20 Floating Worlds, Cecelia Holland (1976)
21 Where Late the Sweet Birds Sang, Kate Wilhelm (1976)
22 Islands, Marta Randall (1976)
23 Dreamsnake, Vonda N McIntyre (1978)
24 False Dawn, Chelsea Quinn Yarbro (1978)
25 Shikasta [Canopus in Argos: Archives], Doris Lessing (1979)
26 Kindred, Octavia Butler (1979)
27 Benefits, Zoe Fairbairns (1979)
28 The Snow Queen, Joan D Vinge (1980)
29 The Silent City, Élisabeth Vonarburg (1981)
30 The Silver Metal Lover, Tanith Lee (1981)
31 The Many-Coloured Land [Saga of the Exiles], Julian May (1981)
32 Darkchild [Daughters of the Sunstone], Sydney J van Scyoc (1982)
33 The Crystal Singer, Anne McCaffrey (1982)
34 Native Tongue, Suzette Haden Elgin (1984)
35 The Handmaid’s Tale, Margaret Atwood (1985)
36 Jerusalem Fire, RM Meluch (1985)
37 Children of Anthi, Jay D Blakeney (1985)
38 The Dream Years, Lisa Goldstein (1985)
39 Despatches from the Frontiers of the Female Mind, Sarah Lefanu & Jen Green (1985)
40 Queen of the States, Josephine Saxton (1986)
41 The Wave and the Flame [Lear’s Daughters], Marjorie Bradley Kellogg (1986)
42 The Journal of Nicholas the American, Leigh Kennedy (1986)
43 A Door into Ocean, Joan Slonczewski (1986)
44 Angel at Apogee, SN Lewitt (1987)
45 In Conquest Born, CS Friedman (1987)
46 Pennterra, Judith Moffett (1987)
47 Kairos, Gwyneth Jones (1988)
48 Cyteen , CJ Cherryh (1988)
49 Unquenchable Fire, Rachel Pollack (1988)
50 The City, Not Long After, Pat Murphy (1988)
51 The Steerswoman [Steerswoman series], Rosemary Kirstein (1989)
52 The Third Eagle, RA MacAvoy (1989)
53 Grass, Sheri S Tepper (1989)
54 Heritage of Flight, Susan Shwartz (1989)
55 Falcon, Emma Bull (1989)
56 The Archivist, Gill Alderman (1989)
57 Winterlong [Winterlong trilogy], Elizabeth Hand (1990)
58 A Gift Upon the Shore, MK Wren (1990)
59 Red Spider, White Web, Misha (1990)
60 Polar City Blues, Katharine Kerr (1990)
61 Body of Glass (AKA He, She and It), Marge Piercy (1991)
62 Sarah Canary, Karen Joy Fowler (1991)
63 Beggars in Spain [Sleepless trilogy], Nancy Kress (1991)
64 A Woman of the Iron People, Eleanor Arnason (1991)
65 Hermetech, Storm Constantine (1991)
66 China Mountain Zhang, Maureen F McHugh (1992)
67 Fools, Pat Cadigan (1992)
68 Correspondence, Sue Thomas (1992)
69 Lost Futures, Lisa Tuttle (1992)
70 Doomsday Book, Connie Willis (1992)
71 Ammonite, Nicola Griffith (1993)
72 The Holder of the World, Bharati Mukherjee (1993)
73 Queen City Jazz, Kathleen Ann Goonan (1994)
74 Happy Policeman, Patricia Anthony (1994)
75 Shadow Man, Melissa Scott (1995)
76 Legacies, Alison Sinclair (1995)
77 Primary Inversion [Skolian Saga], Catherine Asaro (1995)
78 Alien Influences, Kristine Kathryn Rusch (1995)
79 The Sparrow, Mary Doria Russell (1996)
80 Memory [Vorkosigan series], Lois McMaster Bujold (1996)
81 Remnant Population, Elizabeth Moon (1996)
82 Looking for the Mahdi, N Lee Wood (1996)
83 An Exchange of Hostages [Jurisdiction series], Susan R Matthews (1997)
84 Fool’s War, Sarah Zettel (1997)
85 Black Wine, Candas Jane Dorsey (1997)
86 Halfway Human, Carolyn Ives Gilman (1998)
87 Vast, Linda Nagata (1998)
88 Hand of Prophecy, Severna Park (1998)
89 Brown Girl in the Ring, Nalo Hopkinson (1998)
90 Dreaming in Smoke, Tricia Sullivan (1999)
91 Ash: A Secret History, Mary Gentle (2000)

All in all, not a shining example of completeness from me (though, to be fair, I don’t read that much SF, and I suspect my showing on a meme of SF Masterworks would also be dismal). It’s dismaying (and it’s part of the point) that even though I’m a woman and a feminist, I’ve read so little. I’m making notes to improve on that score, by adding a lot of those books to my to-read list. How many can you bold on the list?

Meme: women in SF

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Stole this from over the internet, and then stupidly forgot to note from whom I’d taken it…

The Rules of the Game Are:
Bold the women by whom you own books
Italicize those by whom you’ve read something of (short stories count).
*Star those you don’t recognize
Unmarked are those whose work you have not read
Continue reading →

Meme meme

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Your result for Which fantasy writer are you?…

Tove Jansson (1914-2001)

13 High-Brow, -25 Violent, 1 Experimental and -17 Cynical!

Congratulations! You are High-Brow, Peaceful, Experimental and Romantic! These concepts are defined below.

Tove Jansson was a Finnish painter, sculptor and writer. She was part of the Swedish-speaking minority in Finland and so wrote her books, including her most famous works, the Moomin books, in Swedish. The Moomin books (1945-70), though perhaps not considered fantasy by some, are nevertheless fine examples of world-building for children, centred around the inhabitants of the Moomin Valley, where a family of white trolls known as moomin trolls live, and always return to, though they occasionally leave for adventures in the outside world. Though many of the Moomin books are pure childrens’ books, Jansson conducted the experiment of letting the series turn more adult as she went along, the last three books (one collection of short stories and two novels) being psychologically complex stories that are just as fit, or sometimes perhaps more fit, for adults. Still, Jansson’s somewhat romantic vision of the Valley as a peaceful haven of family life in the midst of a sometimes frightening and dark world is retained through-out the books. Though she considered herself a painter rather than a writer, Tove Jansson will always be remembered as one of the greatest, perhaps the greatest writer of children’s books of all times.

You are also a lot like Philip Pullman.

If you want some action, try Gene Wolfe.

If you’d like a challenge, try your exact opposite, David Eddings.

Your score

This is how to interpret your score: Your attitudes have been measured on four different scales, called 1) High-Brow vs. Low-Brow, 2) Violent vs. Peaceful, 3) Experimental vs. Traditional and 4) Cynical vs. Romantic. Imagine that when you were born, you were in a state of innocence, a tabula rasa who would have scored zero on each scale. Since then, a number of circumstances (including genetical, cultural and environmental factors) have pushed you towards either end of these scales. If you’re at 45 or -45 you would be almost entirely cynical, low-brow or whatever. The closer to zero you are, the less extreme your attitude. However, you should always be more of either (eg more romantic than cynical). Please note that even though High-Brow, Violent, Experimental and Cynical have positive numbers (1 through 45) and their opposites negative numbers (-1 through -45), this doesn’t mean that either quality is better. All attitudes have their positive and negative sides, as explained below.

High-Brow vs. Low-Brow

You received 13 points, making you more High-Brow than Low-Brow. Being high-browed in this context refers to being more fascinated with the sort of art that critics and scholars tend to favour, rather than the best-selling kind. At their best, high-brows are cultured, able to appreciate the finer nuances of literature and not content with simplifications. At their worst they are, well, snobs.

Violent vs. Peaceful

You received -25 points, making you more Peaceful than Violent. This scale is a measurement of a) if you are tolerant to violence in fiction and b) whether you see violence as a means that can be used to achieve a good end. If you aren’t, and you don’t, then you are peaceful as defined here. At their best, peaceful people are the ones who encourage dialogue and understanding as a means of solving conflicts. At their worst, they are standing passively by as they or third parties are hurt by less scrupulous individuals.

Experimental vs. Traditional

You received 1 points, making you more Experimental than Traditional. Your position on this scale indicates if you’re more likely to seek out the new and unexpected or if you are more comfortable with the familiar, especially in regards to culture. Note that traditional as defined here does not equal conservative, in the political sense. At their best, experimental people are the ones who show humanity the way forward. At their worst, they provoke for the sake of provocation only.

Cynical vs. Romantic

You received -17 points, making you more Romantic than Cynical. Your position on this scale indicates if you are more likely to be wary, suspicious and skeptical to people around you and the world at large, or if you are more likely to believe in grand schemes, happy endings and the basic goodness of humankind. It is by far the most vaguely defined scale, which is why you’ll find the sentence “you are also a lot like x” above. If you feel that your position on this scale is wrong, then you are probably more like author x. At their best, romantic people are optimistic, willing to work for a good cause and an inspiration to their peers. At their worst, they are easily fooled and too easily lead.


Take Which fantasy writer are you? at HelloQuizzy

Hum, ok. Clearly, I need to find out more about the Moomins. But I did score the only writer who’s not a native English speaker 🙂
(and for the record, I like Pullman, but could do without the preaching. I do love Gene Wolfe on a good day–defined as one where I have full use of my brain. Used to like Eddings but don’t think I could stomach him now).