Except that the day job has caught up with my brain again.

Seen this morning in the news:
–The Great Bank Robbery (in French): er, it would seem one of our most prestigious banks, a Paris branch of the Credit Lyonnais, was robbed movie-style by a bunch of thiefs who dug into the vault from one of the neighbouring cellars, tied up the security guard, and calmly proceeded to empty 200 safes–before leaving with their loot, setting fire to the whole building so they couldn’t be traced. The friend who pointed this out to me was reminded of Sherlock Holmes’ “The Red-Headed League”. Not entirely inaccurate…
-(via Charles Tan) “Falling from Grace”, a romantic comedy that apparently couldn’t sell in the mainstream–because the main character is Asian, and they’d have had to pigeonhole it under “Asian-American movies”. I have watched the trailer, and cannot for the life of me fathom why the Asian thing would be a problem. It doesn’t even seem like her private life is particularly and spectacularly “Asian” (whatever that would mean) in a way that might possibly disturb the faint of heart–sure, there’s a few specific quirks, but all in all you could imagine the same kind of movie with any colour for the main character, adapting the various sub-episodes. But, because the actress is not White, it becomes a special interest movie.
*headdesk* I think Hal Duncan is right when he calls the whole phenomenon “segregation”: it fits the definition pretty much bang to rights (not the “Black/White” issues, but the larger meaning of separation). It seems to me like a side-effect of quotas: you fit people into little boxes (like “please check the appropriate box: which race are you?”), and then you carry this over into, well, pretty much every aspect of daily life: “if you fit into such and such a box, then you’ll like this–we’ll put it into a special section so you can head right over and be among like-minded people”. And the über-box is for people who don’t check any of those boxes, who don’t have quotas, and who become (or rather remain) the mainstream. It’s scary as heck, from where I stand (admittedly not in the US, and in a country where intolerance has a whole different slew of expressions).

Ok, end of rant, I swear. Back to my Miles Vorkosigan reading (God, those books are so funny it hurts. Poor Miles).

Your Sunday morning pimpage:
-Fellow WIBite Keyan Bowes has a story up at Cabinet des Fees, “Nor Yet Feed the Swine”, a creepy take on the Curlylocks nursery rhyme. Bet you’ll never see strawberries the same way after reading it…

-Fellow VDer Stephen Gaskell‘s “Aequestria” is in the current issue of Interzone: a neat SF take on colonisation, with a nice twist at the end (and gorgeous, full-colour artwork by Jim Burns).

-And, with some delay because I hadn’t got around to reading it until recently, Angela Slatter‘s “The Chrysanthemum Bride” in Fantasy Magazine, a horror story set in Ancient China, about a vain woman taken to be the bride of the Emperor. You know it’s going to end badly and suspect some of the ending, but you still can’t stop until the end…

Mostly of the short fiction kind:
-Lois Tilton reviews “Melanie” (in the February 2010 issue of Realms of Fantasy) and “Safe, Child, Safe” (an Acatl story in the last issue of Talebones). She thinks the learning displayed in glowing symbols on the arms in “Melanie” is “A Neat Idea”, and mostly likes the other story as well.
(she also lists her Top Ten for 2009, among which are several friends such as J.Kathleen Cheney, Sarah L. Edwards, and Lavie Tidhar. Go f-list!!)
-K.V Taylor mentions “In the Age of Iron and Ashes” (Beneath Ceaseless Skies #33) over on her blog, as having this “killer South Asian influence”–quoting, in particular, the Shiva concept, the Mahabharata and the Bhagavad Gita (all of which were used at some point in the story, though more as a layer of pseudo-Hinduism over “traditional” fantasy tropes. This wasn’t meant to be authentic Indian, by a large margin). Neat. [1]
-Over at Fantastic Reviews Blog, “By Bargain and By Blood” (Hub issue 108) is Aaron’s Story of the Week:

This makes Aliette de Bodard only the third author to receive two different story recommendations on this blog, joining Paolo Bacigalupi and Catherynne M. Valente.

Er, wow? That’s some company…

[1]The particular setup of “In the Age of Iron and Ashes” refers to the Muslim invasion of India in the 13th Century. I read a series of elegiac texts about the loss this incurs, one of which featured a dancer on the walls of some Indian city, as a symbol of the beauty that was going to be lost in the carnage that followed. I can’t find the text for the life of me. I think it’s back at my parents’ place.

Dario Ciriello, the founder of my writers’ group Written in Blood, is interviewed by Charles Tan on Panverse Publishing, genre fiction, and writing. Go Dario!

Saw a couple of reviews trickle in during the holidays:
-Liviu Suciu at Fantasy Book Critic:

The novel fits most comfortably under the heading of “dark fantasy” with the tropes of contemporary urban fantasy – magic, sorcerers, powerful supernatural beings – called Gods here – lots of blood and violence, mostly urban setting – but is set in the Aztec Empire at its peak in the late 15th century.
The world-building is exquisite and we *believe* we are transported to the 15th century Tenotichtlan and together with the superb voice they formed the main reason I enjoyed this book so much… Highly recommended; Ms. de Bodard is a writer to watch.

-Nik Butler at Loudmouthman:

The mystical Aztec setting had every opportunity to become a tongue twisting and convoluted mish mash of vowels and golden thingies. Fortunately none of this occurs as day to day temple life and the duties of its citizens are described you can feel the richness of this bloody empire without once tripping over some unpronounceable God or location.
This is Book 1 in a trilogy and I am eager to get my hands on the next book when it is released.

*happy writer*

And to start off 2010:
-you can read “In the Age of Iron and Ashes” in the newest issue of Beneath Ceaseless Skies, along with a story by B. Gordon

They ran the girl down, in the grey light of dawn: a ring of copper-mailed horsemen, racing after her until her exhaustion finally felled her.
Yudhyana sat on his horse, shivering in the cold morning air, and thought of home—of the narrow, spice-filled streets of Rasamuri, and of his daughters shrieking with delight as he raced them in the courtyard. Anything to prevent him from focusing on what was happening.
Read more

-the French website Elbakin has launched its new web design, which is very clean and very handy to navigate. Among their latest stuff is an interview of Chris Evans, author of the Iron Elves series. (it’s also available in English for the non-bilingually oriented). They’re a portal for everything fantasy, but I really do love the fact that the new design makes the reviews very handy to read (I’m always interested in their take on things, and it’s quite informative to see how things come across in the French community–which I’m not really part of, with the whole writing-in-English thing).
-on that topic, I’m glad to see that Pyr has snapped up the US rights for Pierre Pevel’s The Cardinal’s Blades (swashbuckling à la Dumas, with dragons, translated by Bragelonne’s Tom Clegg). It’ll be interesting to see the reaction to that one.

-My novelette “The Wind-Blown Man” (aka the Daoists in space story) is now available in the current issue of Asimov’s (along with “The Stone Wall Truth” by fellow Codexian and writer extraordinaire Caroline Yoachim, which has a tantalising snippet up on the website). And, er, I would appear to be on the cover, right there with the famous people…

Here’s a snippet:

On a clear day, you could almost see all the way into Heaven.

That was what Shinxie loved about White Horse Monastery: not the high, lacquered buildings scattered across the mountain’s face like the fingerprints of some huge Celestial; not the wide courtyards where students sat like statues, the metal of their second-skins gleaming in the sun; but the clear, crisp air of the heights, and the breathless quiet just before dawn, when she could see a flash of light overhead and imagine it to be the reflection of Penlai Station.

In those moments, she could almost imagine herself to be free.

Quite curious to see the reaction to this one, as it was a bit of a challenge: it’s got a completely different scientific history of the world, a weird melding of science and religion, and it’s entirely told from the point of view of insiders to the culture (unlike “The Lost Xuyan Bride”, where having a European as the viewpoint character made a number of things easier to deal with exposition-wise).

-Apex is organising a Story of the Year Award. Up for consideration is my Chinese post-apocalyptic story “After the Fire”, but there is a lot of fine stuff on display. My personal favourites were Peter M. Ball’s “To Dream of Stars: An Astronomer’s Lament” and Rochita Loenen-Ruiz’s “59 Beads”. Both horrific in quite different ways. But go ahead, read and vote :=)

-Over at Strange Horizons, Andy Sawyer reviews The Apex Book of World SF, and says very nice things overall.

Part II of Nicholas Seeley’s conversations with the Apex Book of World SF contributors, dealing with local markets, national preoccupations and the universality of SF. Fascinating stuff.

Realms of Fantasy launches their new website–and their electronic edition. To celebrate, you can download the February 2010 issue for free (and read my short story “Mélanie” as well as Ann Leckie‘s awesome “The Unknown God”, a cool tribal-ish fantasy about gods and their powers, which reminded me of Greg Keye’s The Waterborn and Blackgod).

Angry Robot has gorgeous covers for Kaaron Warren‘s Walking the Tree, Colin Harvey‘s Damage Time and Andy Remic‘s Soul Stealers. I especially love the cover for Kaaron’s novel.

They’re also holding the 12 days of Christmas over at the website, with authors contributing a different blog post every day. So far we’ve had Chris Roberson and Colin Harvey–stay tuned for more goodies.

And Stephanie Burgis is holding an ARC giveaway contest for her novel A Most Improper Magick, a Regency YA novel about a girl dressing up as a boy to save her family from impending ruin. Oh, and it’s got highwaymen, too.

Silvia Moreno-Garcia interviews me at Innsmouth Free Press on Servant, writing in other cultures and my pet history peeves.

The Shine competition has gone live: basically, guess the next sentence AND guess the story. See if you can spot the collab I did with Gareth L. Powell 🙂

And chapter 2 of Servant of the Underworld is now live at My Favourite Books.

Harbinger has stalled, mainly because I wrote myself into a corner and now need to get out of it. The solution I had in mind turned out to involve something I expressely mentioned as impossible in Servant, so it’s back to the writing board…

I have found a new toy: a Starbucks thermos mug (brought back from Moscow by my father), which is suprisingly handy to have–you never know when someone is going to interrupt you, and the water at work is lukewarm at best. Having the mug helps to get extra minutes of hot tea, which is cool.

This will probably be the last post before the blog goes dark, as I’m going to Dublin to visit my sister. Internet access will be around, but it’s likely I won’t be using much of it.

Some linkage:
-Fellow SFnovelist Jackie Kessler continues to chronicle the Harlequin Horizons debacle. Very interesting posts.
-Article over at Nebula Awards website on “International SF” and Problems of Identity
-David Antony Durham compares covers, which I always find a terribly fascinating exercise.
-Strange Horizons has an article from Nicholas Seeley, in which various Apex World Book of SF contributors discuss SF and language.
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