Category: journal

Quick check-in

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Haven’t been posting a lot, and it doesn’t look like things are going to get better (RL still throwing everything it can at me 🙂 ). I’m on twitter a bit more if you want to know what I’m up to–those days it’s mostly funny articles, cute animal pictures and the occasional rant.

I’ll try to have author’s notes up for the upcoming “The Weight of a Blessing” in Clarkesworld. And then I’ll go back to hibernating…

In the meantime, have a cute video of an otter shooting basketball hoops (thanks to Farah Mendlesonh).

Nebula Awards aka in which I look very silly

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So, some of you might remember that I repeatedly said (on twitter and elsewhere) that my Immersion Press novella On a Red Station, Drifting, published by a small UK press, was not eligible for a Nebula and that it wasn’t worth voting for it?

Fast forward to yesterday evening, when my phone rings in the middle of my chopping potatoes–I pick up, and am somewhat surprised to hear the lovely Kate Baker, who asks me whether I want to accept Nebula nominations for  “Immersion”  and On a Red Station, Drifting.

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My second or third reflex (after the “OMG OMG ” stage) was double-checking to see that the novella was indeed eligible and that this hadn’t been a horrible mistake somewhere (yes, paranoid. Why do you ask?). That was when I realised that what mattered to the Nebulas (as confirmed by the Nebula Awards commissioner Tom Doyle) was territory of sale and not location of publisher. And that, since the book was on sale everywhere including the US, it was indeed eligible for the Nebulas.

At which point I naturally felt very very silly, and very humbled that in spite of my shooting myself in the foot, people had kindly voted for the novella…

So thank you very much to everyone who voted for “Immersion” and for On a Red Station, Drifting; and to my editors Neil Clarke and Sean Wallace at Clarkesworld, and Carmelo Rafala at Immersion Press, as well as to everyone who helped me writing those and who tided me over during the long dark teatimes of the writerly soul.

Meanwhile, I’ll be off recovering from massive shock…

(full list of nominees here–congratulations to all my friends on the ballots, but especially happy to see Ken Liu taking over the world once more, and Helena Bell getting well-deserved recognition for her awesome short fiction)

Signal boost: help Joyce Chng balance her family finances

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Just thought I’d repost this here if you have anything you can spare: Singaporean SFF writer Joyce Chng (J. Damask) is going through a bit of a sticky pass at the moment due to repeated hospitalisation of the family cat on top of other health issues. If you have a moment and want to buy books and/or swag, please head here.
Any signal boosts much, much appreciated.

Lazy Sunday morning

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Ran a laundry; decided to make nước màu (caramel sauce) in my cast-iron enamelled pot (which was a welcome change from the bad saucepan I used the last time). The sauce is cooling as we speak; I’ll be hunting for a jam pot next. Have to say oven mitts are great for protection during the risky endeavour of heating up sugar…

Now I’m off to spread the laundry to dry. Ah, heady days…

(also bought a copy of Nigella Lawson’s How to Eat, and am currently reading it with fascination. She’s a smart no-nonsense cook and a lot of her advice resonates with me even though our cooking reflexes aren’t exactly on the same spectrum due to different sources).

Seraphina, fullblood prejudice and pervasive racial passing

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So… have just finished Rachel Hartman’s Seraphina–I bought it mainly because it was recommended to me as a great portrayal of a mixed-race protagonist: its eponymous heroine is half-dragon, half-human in a world where a fragile peace reigns between the two species. Seraphina is the Music Mistress at the court of the human queen of Goredd, where she passes as human in order to avoid the deep-seated prejudice and fear engendered by dragons (who are able to take human form but are betrayed by their silver blood and their odd smell).

It’s an intriguing setup; but in the end, I’m sad to report I was somewhat disappointed by Seraphina and its portrayal of race relationships.

(rambly musings about prejudice and passing)
Continue reading →

Nebula Awards nomination deadline

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Just a quick reminder that the Nebula nomination period ends Feb 15th: if you haven’t gotten your nominations in, now is the time!

My awards eligibility/recommendations post is here. I would add to those short stories already listed:

  • Zen Cho’s “First Witch of Damansara”, a really funny and poignant story of culture clashes, wedding dresses and vampire grandmothers (published in E. Sedia’s anthology Bloody Fabulouscontact Zen directly for a copy; it’s well worth a read)
  • Rose Lemberg’s “Seven Losses of Na Re”, about persecution, the loss of languages and relatives–which just made me cry

Still hunting around for good novellas, if anyone has any–my ballot is very empty on that front…

Misc. self-promotion items

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The Locus Recommended Reading List for 2012 is out: many, many familiar names on that list (very happy to see Lavie Tidhar, Vandana Singh, and anthologies like AfroSF, Robots: The Recent AIThe Future is Japanese and Breaking the Bow on the list of recommended materials). I’m also on it for my two Clarkesworld stories “Scattered Along the River of Heaven” and “Immersion”, and for my novella On a Red Station, Drifting (which is mentioned by both Rich Horton and Gardner Dozois).

The February issue of Locus also contains Rich Horton’s review of that selfsame novella:

I recently saw two very strong novellas that might be easy to miss. Aliette de Bodard’s On a Red Station, Drifting, is another in her Xuya alternate history, in which the Chinese and Mexica (i.e. Axtecs) have become great space-based powers. Several recent stories have been set in a colonized galaxy and on space stations, some controlled by the Dai Viet. This one is set on a remote station, Prosper, controlled by an obscure branch of a powerful family, and run by a Mind, who is also one of the family’s ancestors. To this station comes Linh, a cousin, fleeing an uprising against the Emperor. Linh has spoken out against the Emperor for his failure to confront the rebels, and so is potentially a traitor, and is also racked with guilt for leaving her previous post under threat. Quyen is the leader of Prosper, but is not confident in her abilities, and also worried that the station’s Mind seems to be decaying. All this seems to portend disaster, amid small betrayals and slights between everyone involved. The authentically (to my eyes) non-Western background powerfully shapes an original and ambitious tale.

Which is pretty, er, nice with a side of awesome? Speaking of which, if you don’t feel like ordering the hardback of the novella, can I point out that you can get an exclusive ebook copy by donating $100 or more to the World SF Travel Fund?

Either way, we’re 60% funded and could use some help meeting our goals, in order to send awesome writers Rochita Loenen-Ruiz and Csilla Kleinheincz to World Fantasy 2013. Go check us out; and spread the word!

Mixed-race people in SFF

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OK, because I’ve seen one too many %%% storylines about mixed-race people in fiction (expanded for SFF to include the children of humans and aliens/magical creatures, etc.). For your information:

We are not psychopaths, terminally maladjusted, forever torn between two cultures in a way that will inevitably destroy us. We are not freaks or hybrids or mongrels or circus animals, forever exhibited as examples of what can go wrong in human/alien/magical creatures relationships; neither are we featureless saints exhibited as examples of interracial/interspecies harmony.

We are not special, magical or possessed of numinous powers by virtue of our non-white/non-human blood; we are not the tamed Other, made acceptable by an infusion of white blood and white customs, the “safe” option with only a hint of fashionable exoticism and none of the raw difference of “true” foreigners. We are not a handy, non-scary substitute for diversity in fiction.

We do not have pick sides unilaterally. We do not have to share the identity of our mother or of our father to the exclusion of the other parent (and most of us will find it quite hard to completely reject one half of our heritage); and our parents are not perpetually locked in some cultural war in which there would only be a single winner. We can be raised with love and respect and in a meld between two cultures: we do not have to be orphaned/single-parent/neglected/abused to exist.

Our parents are normal beings, and so are we.

If you’re using mixed-race people in your fiction and feature ANY of those tropes, do please think for a moment of what it is that you’re saying (and I wish I could say it’s not the case, but I’ve seen all of these–yes, even the hybrid/mongrel–at some point in recent SFF, either in print or in other media).

ETA: also, in case you’re wondering? The use of the word “half-breed” to refer to mixed-race people is NOT acceptable in any context (except possibly as a slur in historicals). “Mongrel” should also be banned from your vocabulary on mixed-race people. I don’t particularly enjoy being compared to animals, or the long history of prejudice inherent in that term (it’s a bit like thinking “mulatto” or “nigger” are appropriate descriptive words). For God’s sake, think on what it is you are saying before flinging this kind of word around.


Disclaimer: this is based on my experience and on those of friends growing up (mostly in Europe, and most Asian-white mixed-race). I tend to think a lot of it applies elsewhere, though…

Quote of the Day

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Sometimes, when I’m reading SF (particularly old SF, but also recent SF that should know better), I am reminded of those  couple paragraphs from friend Rochita Loenen-Ruiz, in her Strange Horizons column:

There is a popular science fiction trope that speaks of venturing out into the great unexplored. Those who venture out are pictured as heroes. They go out and find new civilizations, they expand earth territories, they discover aliens, they subdue or befriend, they are hailed as saviors, and many times the worlds they enter into are very different from the hero’s homeworld.

While this trope appeals to a part of myself that desires to see and experience other places and other cultures, it does not speak to the true experience of migration and colonization. This popular narrative belongs to the dominant culture, to cultures that have conquered and colonized without regard for the consequences to the culture that gets trampled underfoot.

I really do wish more people would reflect on this (and the closing remarks of the column) before they so blithely spoke of colonists seeking adventures in space…

In case of doubt…

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1.5L of water, half an onion, 1 knob of ginger, a good teaspoon of five-spice powder, a good tablespoon of instant chicken broth powder, a LOOOT of fish sauce (1 or 2 tablespoons), a 1-inch piece of kombu, 8 shrimp with their shells, and 3 nests of egg noodles. And a dash of sesame oil before serving.

Broth heaven. Yum yum.