Category: journal

Books books books

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Now that my life is no longer about edits, a few books:

-Zen Cho, Sorcerer to the Crown (ARC obtained from publisher). Zacharias Whyte is the newest sorcerer to the Crown, and he’s got his work cut out for him: he’s black in a society that has no liking for people of colour, suspected of murdering his predecessor and guardian; and to top it all, the magic that England was relying on is steadily draining away. As he travels to Fairyland to determine the cause of the magical penury, Zacharias picks up Prudence, an impoverished gentlewoman who is determined to make her own way in the world–and who has a decidedly peculiar inheritance. Magic, mayhem (and interfering aunties) in a Regency setting: it’s a hilarious book, but also one that pokes sly fun at the social conventions of the time and the place of women and POCs. Sort of a cross between Jonathan Strange & Mr Norrell and PG Wodehouse, with a postcolonial slant. Also, it’s got Malaysian vampires, and they’re awesome.

-Pat Cadigan, Tea from an Empty Cup (book bought). I first read this ten years ago, and it hasn’t lost its power. It’s short and punchy–a double tale of a murder investigation in an immersive artificial reality and a woman looking for her friend and getting caught in some shady dealings involving stolen virtual artefacts, and access to a special level in said artificial reality). I loved the world building (in a dystopic future where Japan has disappeared and the survivors struggle to find a sense of national identity, something that really resonated to me as a second-gen whose maternal country was lost to war for a while); and the artificial reality is amazing–I’m sceptical of SF’s ability to predict the future, but Pat Cadigan was square on, on both the saturation of the AR by ads, and the gaming culture that develops around it, with its accompanied mysticism, its prizing of avatars and things found online and its search for hacks, new levels and new sensations (which reminded me of MMORPGs and Second Life).

(a few minor quibbles: I wasn’t quite sold on the idea of racial memory, or on the idea you could tell someone’s racial mark-up just by looking at them–as a diasporan, the elevated mysticism and mythology that develops around the lost land of Japan feels very accurate, though sometimes a little too forced and forceful for my personal taste. And sometimes the world building rang a little hollow–I wasn’t sure what Yuki did for a living or how she was able to drop everything to follow Joy Flower. But that’s very much a function of this being a short and to-the-point novel).

-Nghia M Vo, Legends of Vietnam: An Analysis and Retelling of 88 Tales (book bought): I’m really conflicted about this book. On the one hand, it’s a reasonably good book of fairytales and Vietnamese folklore, with legends from the North, the South and some (all too few) from ethnic minorities. It provides context, both cultural and historical (and it’s got all the proper diacritics, which is awesome for following up on stuff), and there are lots of tales and tidbits that I’ve heard but not seen elsewhere, so I think it’s fair to call it the most complete compilation I’ve seen yet. On the other hand… the commentary sometimes grates. There’s the odd swipe at passive Vietnamese, incapable of banding together or of understanding progress, unlike Western nations (which is just wtf); and a lot of sallies against the Northerners  (and I know there was a war; I know unforgivable things were done and I’m not minimising the pain people went through; heck, I live in its shadow. But I really don’t think a book of fairy tales is the place for this kind of stuff). Of note, there’s a bunch of tales in the post-war years, but I can’t comment on these because I found them triggering, and had to skip this section.

-Kari Sperring, The Grass King’s Concubine (book bought)  This is a book with several narrative strands: one in the present, where Aude, born to wealth, runs away and seeks to understand where her family’s fortune came from; and one in the past, where a man called Marcellan enters the Rice Palace, domain of the Grass King, the mythical being who embodies the earth and the harvest. In the present, Aude gets kidnapped by the Grass King’s bannermen, and taken to a deserted, devastated Rice Palace, where she is told she must fix what her ancestors broke…

This is slow, intimate and quite wonderful. I love the contrast between the Brass and Silver Cities and their endless hunger for wealth (and one of Kari’s strengths, I think–in addition to lush prose–is that she nails social class, social oppression and the way the progress of the Industrial Revolution was built on the misery of the many), and the Rice Palace and its fairytale logic; and the driving mystery of what exactly happened in the past is very well done (and going to an unexpected conclusion). It seems at first that the two halves (the Industrial Revolution cities and the Rice Palace) belong to two wildly different books, but on finishing the book you realise that the unifying theme is the devastation of greed and hunger for power–and that, in that respect, the present is not so different from the past–it’s a very clever and subtle juxtaposition, and it works all the better for never being outright said.

I have a couple quibbles, the first is that you should avoid reading the cover copy before you start the book, because it has the worst spoilers I’ve seen in quite a while; the second is that the ending feels a teensy bit rushed–and by far the most major one is that this begs for a sequel, and there is none yet! (I have a plan which involves pestering Kari until she gives in ^^).

Next up: Ken Liu’s Grace of Kings!

Snippet

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Oh dear. I blame Elizabeth Bear, Scott Lynch, D Franklin, Gareth M Skarka and Mur Lafferty for this snippet. I just. I don’t know where this story is going or even if it’s worth writing. Only that it has unicorns.

They bury you at the bottom of the gardens–what’s left of you, pathetic and small and twisted so out of shape it hardly seems human anymore. The river, dark and oily, licks at the ruin of your flesh–at your broken bones–and sings you to sleep, in a soft, gentle language like a mother’s lullabies; whispering of rest and forgiveness; of a place where it is forever light, forever safe.

You do not rest. You cannot forgive. You are not safe– you never were.

ETA: and I have a first draft at 2600 words. And no idea what to do with a dark unicorn story 0_0

Imagination, the cliché shelf, and the inner librarian

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Imagination, the cliché shelf, and the inner librarian

“We’re our father’s prejudices and our swordmaster’s dead men; our mother’s palate and our nurse’s habit of speech. We’re the books unwritten by our tutor, and our groom’s convictions and the courage of our first horse.”

This is a Dorothy Dunnett quote (from The Game of Kings, which I heartily recommend): it’s nominally about how the people who raise you influence what you later believe, but I’ve always thought it applies to other, more writerly things, too. See, the thing is… imagination doesn’t exist in a vaccuum.

I kind of feel like I’m barging through open doors with a battering ram–and I know everyone’s experiences are different–but I always think of my subconscious for stories as this huge, badly curated library which gathers all the books I’ve ever read, all the movies I’ve ever seen, all the words I’ve ever heard… And some books, some movies, some words are closer to the entrance, because they’re more recent, because I loved them more, or for whatever other reason. I go into this huge library with  a question (a half-formed idea for a novel or a short story, a plot point that I can’t solve, a character that needs a better personality): to continue the analogy, it’s like I’m looking for something in a book, but I’m really vague on what book, just that I’m adamant the book is in the library somewhere, and I’m not going out of said library until I have something to hand (aka “librarian’s nightmare” :p). And, if I brainstorm long enough or let everything rest long enough, presto! My subsconcious will provide me with an answer: my inner librarian will come back smiling and hand me a book, which I’ll use as an answer to my problems (until the next time, obviously!).

But the trouble with huge libraries and a crap filing system is that it’s very, very easy for the inner librarian to just hit the shelves closest to the entrance when you need a book–and the shelf that’s right by the entrance, the “recently returned books” shelf? It’s generally the one that’s full of clichés. It’s the tropes that I’ve seen over and over in media, the easy answers to complex questions; the archetypes of behaviour that feel so weighty because they’ve been reinforced by years of societal pressure (the encyclopedias in several volumes that insist that women really like pink and shopping and don’t have a brain, that real men don’t cry, etc.). Which means that I’m very, very wary of the cliché shelf: I have a habit of second-guessing the first things I come up with, because in 99.9% of cases they’re just lazy thinking. You have to go deeper into the library.

(by which I don’t mean you shouldn’t reach for tropes. Sometimes a trope really is what the story needs; sometimes you don’t want complex and you don’t want to question everything, and that’s quite OK! Not every story needs to smash all the things. But I feel like this should be a deliberate choice, and not simply a default because said trope happened to be the thing nearest to hand)

One of the reasons why I do so much research *before* I start writing a book? It’s because of this. Research adds books to the library (and adds them, very often, to shelves close to the entrance). Research means that I have things close to hand that are useful and relevant: it means that, when I need a random plot point in, say, a Confucian society, I won’t have my characters throw a large sports event (Confucians tend to think sports is best avoided); or, when I have a 19th-Century dystopic French society with a highly hierarchical class system (well, hello, House of Shattered Wings!), I won’t have a servant barge into the office of the head of the House and talk to them like an equal. And I need the foundations to be there before I start plotting; or my plot won’t make sense within the universe that I’m creating–I need my shelves to be filled with the right books to get the right answers when I’m brainstorming.

One of the funny things with the imagination-as-library thing, though, is that some things still end up being close to hand no matter what you do–it’s like my subconscious keeps making them bubble up (I have a thing for family as restriction vs family as loving environment, and also for evil trees in fantasy stories, apparently. Go figure. Clearly there’s a childhood thing there that I’m not aware of).

Again, it’s not necessarily a problem: some unity of themes is expected as an author, but I’m aware some of those continuously bubbling-up things could be problematic; and it’s useful from time to time to take a long hard look at them. It’s very easy to feel like I’m reaching deep within the library, but still getting the cliché shelf or its little friend, the “inverted cliché” one: the one where all women behave like men (which looks OK on the surface, but really means that you still attribute a higher value to maleness); where POCs rule the world and set up a racial segregation system that looks exactly like the ones in our world, except in reverse (again, looks OK on the surface; can be done very well, but can also end up playing into dominant folks’ fears that all POCs are secretly out to get there and/or promote the idea that “oh, it’s not so bad because everyone would be as bad as us, on the exact same terms, if given power”); where violence is committed by women/POCs/marginalised folks but still remains the driver of the plot (again, some stories are all about violence and that’s OK! It’s just that there is more than one way to skin a cat subvert a cliché).

So, anyway, that’s me and my subsconcious aka the inner librarian; and why it’s important to never ever trust the first, easy answer to a question :p What about you? Do you have an inner librarian? How do you feel your subconscious works? How do you use research in your books?


[1]We can also argue about what “strong” means and the different kinds of “strong”, but this isn’t the article for it!

Breath of War up for a Nebula

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Breath of War up for a Nebula

Aka, OMG OMG OMG I have been sitting on this for a week and it’s been killing me.
I’m very please to announce that my short story “The Breath of War” is up for a Nebula Award.

I am… humbled and overjoyed to be on the ballot, which looks truly fantastic (and very happy that some of my suggestions/suggested authors are on there, too–congrats to Alyssa Wong, Liu Cixin, Ken Liu, Tom Crosshill among many others–and I’m happy, though in a bittersweet fashion, to share the ballot with Eugie Foster, who left us far too soon). My deepest thanks to everyone who read the story and everyone who nominated it; and a special thanks to Scott H Andrews who had the good taste to publish it ^^ It’s a very special one for me, aka “the one with the snakelet in it”, and I’m very very glad it’s up there.

I don’t know yet if I’ll be able to attend the Nebula Awards Weekend–I would love to, but negotiations are in progress with the father of the snakelet on the subject…

Full list below:

Novel
The Goblin Emperor, Katherine Addison (Tor)
Trial by Fire, Charles E. Gannon (Baen)
Ancillary Sword, Ann Leckie (Orbit US; Orbit UK)
The Three-Body Problem, Liu Cixin, translated by Ken Liu (Tor)
Coming Home, Jack McDevitt (Ace)
Annihilation, Jeff VanderMeer (FSG Originals; Fourth Estate; HarperCollins Canada)

Novella
We Are All Completely Fine, Daryl Gregory (Tachyon)
Yesterday’s Kin, Nancy Kress (Tachyon)
“The Regular,” Ken Liu (Upgraded)
“The Mothers of Voorhisville,” Mary Rickert (Tor.com 4/30/14)
Calendrical Regression, Lawrence Schoen (NobleFusion)
“Grand Jeté (The Great Leap),” Rachel Swirsky (Subterranean Summer ’14)

Novelette
“Sleep Walking Now and Then,” Richard Bowes (Tor.com 7/9/14)
“The Magician and Laplace’s Demon,” Tom Crosshill (Clarkesworld 12/14)
“A Guide to the Fruits of Hawai’i,” Alaya Dawn Johnson (F&SF 7-8/14)
“The Husband Stitch,” Carmen Maria Machado (Granta #129)
“We Are the Cloud,” Sam J. Miller (Lightspeed 9/14)
“The Devil in America,” Kai Ashante Wilson (Tor.com 4/2/14)

Short Story
“The Breath of War,” Aliette de Bodard (Beneath Ceaseless Skies 3/6/14)
“When It Ends, He Catches Her,” Eugie Foster (Daily Science Fiction 9/26/14)
“The Meeker and the All-Seeing Eye,” Matthew Kressel (Clarkesworld 5/14)
“The Vaporization Enthalpy of a Peculiar Pakistani Family,” Usman T. Malik (Qualia Nous)
“A Stretch of Highway Two Lanes Wide,” Sarah Pinsker (F&SF 3-4/14)
“Jackalope Wives,” Ursula Vernon (Apex 1/7/14)
“The Fisher Queen,” Alyssa Wong (F&SF 5/14)

Ray Bradbury Award for Outstanding Dramatic Presentation
Birdman or (The Unexpected Virtue of Ignorance), Written by Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Jr. & Armando Bo (Fox Searchlight Pictures)
Captain America: The Winter Soldier, Screenplay by Christopher Markus & Stephen McFeely (Walt Disney Studios Motion Pictures)
Edge of Tomorrow, Screenplay by Christopher McQuarrie and Jez Butterworth and John-Henry Butterworth (Warner Bros. Pictures)
Guardians of the Galaxy, Written by James Gunn and Nicole Perlman (Walt Disney Studios Motion Pictures)
Interstellar, Written by Jonathan Nolan and Christopher Nolan (Paramount Pictures)
The Lego Movie, Screenplay by Phil Lord & Christopher Miller (Warner Bros. Pictures)

Andre Norton Award for Young Adult Science Fiction and Fantasy
Unmade, Sarah Rees Brennan (Random House)
Salvage, Alexandra Duncan (Greenwillow)
Love Is the Drug, Alaya Dawn Johnson (Levine)
Glory O’Brien’s History of the Future, A.S. King (Little, Brown)
Dirty Wings, Sarah McCarry (St. Martin’s Griffin)
Greenglass House, Kate Milford (Clarion)
The Strange and Beautiful Sorrows of Ava Lavender, Leslye Walton (Candlewick)

Reminder: Nebula Awards deadline

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Just a brief reminder that the Nebula Awards deadline is tomorrow, if you’re a SFWA member and want to suggest stuff (and make your voice heard, because the awards are about the voters and what they love), now is the time to go vote.

If you’re still looking for stuff to read, my awards consideration post has a lot of stories you can read online for free (and great, diverse stuff). It’s here.

Quick update

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Quick update

Sorry for the radio silence, it’s been a busy couple of weeks. I’m revising the novel on a tight deadline, hence the lack of updates on this blog (revisions not making for fascinating blogging, though at some point I may well blog about my revisions process ^^).

Spurred on by Rochita Loenen-Ruiz (who’s got a wonderful board of inspiration), I made a pinterest blog for House of Shattered Wings. It’s below if you’re interested!

(the featured image is totally the way I imagine Morningstar in his heyday, aka “I end fights just by showing up” ^^).

Also, the novel page has been updated with preorder information for the Roc edition (Kindle and Hardcover in the US, Canada and Philippines) in addition to the Gollancz hardcover–if you’ve preordered or are going to, hang on to your receipt, I’ll have some goodies for you closer to release date (when I can breathe feel the deadline pressure :))

Follow Aliette’s board House of Shattered Wings on Pinterest.

Brief update

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Never got around to it, but…

I’ve finished a new Xuya short story, “In Blue Lily’s Wake”, which takes place in the Dai Viet Empire after the civil war (the one mentioned in numerous stories like On a Red Station, Drifting and The Days of the War, as Red as Blood, as Dark as Bile).

Snippet below:

From the planet, the mindship’s corpse had seemed to loom large enough to fill the sky–hugged tight on a low orbit, held back from plummeting towards the surface only by a miracle of engineering–but, once in the shuttle, Yen Oanh realised that it was really quite far away–the pockmarks on its surface blurred and hazy, the distorted paintings on the hull visible only as splashes of bright colour.

“How long until we arrive?” she asked the disciple.

The disciple, Hue Mi, was a young woman barely out of childhood; though the solemnity with which she held herself made her seem older. “Not long, Grandmother.” She looked at the mindship without any sense of wonder or awe; no doubt long since used to its presence.

The ship, after all, had been dead for eleven years.

(FYI, I put longer snippets of stories in the newsletter, if you want to subscribe . Yes, totally shameless :p)

On the novel front, I’m on my edits marathon: I’ll post more when I’m done with said edits, but right now I’m a bit busy wrangling a manuscript that won’t behave and hoping to be finished as soon as I can. I’m posting tidbits on twitter , under the hashtags #amrevising #novel (I really should start a #shatteredwings hashtag…) and some hivemind questions on Facebook (it’s easier on FB because you don’t have the 140 characters limit). To give you an idea, my last question: “if a cathedral gets nuked and no masses are celebrated there any more, are the ruins still consecrated ground”? (yes, it’s Notre-Dame. A significant chunk of action takes place there!)

Have fun, everyone. Normal (well, sort of normal) service resuming ASAP.

Newsletter sign-up

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Just a heads up that I now have a newsletter, aka “irregularly I will tell you about new stuff and extras on the Xuya/Shattered Wings universes, and also about events I attend, etc.” You can sign up directly below, or here.

The first one is going out tomorrow, and has an excerpt from a new Xuya universe story, “In Blue Lily’s Wake”.