Category: fiction

Diversity Statistics

- 0 comments

Garked from Vylar Kaftan, a rundown of characters in my stories by gender, race, sexual orientation, age, class and ability. I wanted to add religion as well, but faith is quite a different kettle of fish when the gods are allowed to be main characters.

I tracked 172 main characters: the arbitrary part of the selection was choosing whether a character should be included or not. I went with “has significant part in plot”, but even that is debatable… If a character appeared several times (in different stories), I only counted them once.

Continue reading →

Friday

- 0 comments

Woohoo, it’s finally here 🙂 I have a bad headache (mostly because I’ve been helping the BF fill in a form for a German firm that required such a high degree of detail that my eyes started to cross).

Books read:

The Fade by Chris Wooding: on a planet where sunlight is deadly, the population has migrated underground, waging its bloody internecine war across huge caves and inner seas. Orna is one of the Cadre, bondsmen who serve their aristocrat masters by being bodyguards, assassins and spies. In a particularly disastrous battle, she loses her husband and is captured, taken to an impregnable stronghold of the enemy where she is only kept alive as long as she can give her captors information. Orna has every intention of escaping to find her son–but when she does so, she only finds herself swept back into the deadly power games of the aristocracy…
This is short and intense, more concerned by the delights of its baroque society than by any hard science (there’s hardly any description of the planet, and the societies have mostly regressed to feudal). The character of Orna, driven through the novel both by her despair and her growing awareness of her slavery, is a very powerful one with a potent voice. It moves at a fast clip and culminates in a neat twist ending that had me flipping back through the pages to see all the little clues I had missed.
If I had one quibble, it’s the backward narration interleaved between the book, taking up about a quarter of it. While it does make both for tragical ironies and nifty filling in, I felt that as we moved too far back in time, it began losing its interest, going over old ground, and failing to climax in anything intense enough to justify the backward arrow. The only book I can compare this with is Ian M. Bank’s superb Use of Weapons, where the backward narration culminates in a very nasty twist that echoes back into the present situation. Here, we just have scenes that feel extraneous because they only reveal what we have already inferred throughout the main story.
But still, it’s a pretty good book, well worth the read.

-Sold “In the Age of Iron and Ashes”, a pseudo-Hindu fantasy, to Beneath Ceaseless Skies. It was workshopped on Liberty Hall, so thanks to everyone who took a look!

They ran the girl down, in the grey light of dawn: a ring of copper-mailed horsemen, racing after her until her exhaustion finally felled her.
Yudhyana sat on his horse, shivering in the cold morning air, and thought of home–of the narrow, spice-filled streets of Rasamuri, and of his daughters shrieking with delight as he raced them in the courtyard. Anything to prevent him from focusing on what was happening.
Afterwards, they tied the girl’s unconscious body to the saddle of a white mare. Pakshman, Yudhyana’s second-in-command, nodded at him, waiting for orders.
“Back to the city,” Yudhyana said. His gaze was on the plains, sloping down to the river Kuni–and the cloud of dust that marked the advance of the Sharwah army.

-Sold “Safe, Child, Safe”, an Acalt short story (sequel to “Obsidian Shards”), to Talebones. Thanks to everyone who critted this: Marshall Payne, who does tremendously helpful line edits as usual, everyone who took a look at it on Liberty Hall (I haven’t saved the crits, but I remember tchernabyelo offered tremendous help on plot points), and the OWWers: the awesome Rochita Loenen-Ruiz and Linda Steele, and Tara Lynn McFadden. Extra special thanks for this one go to Ken Scholes, who badgered me into submitting to Talebones, and to Patrick Swenson for accepting this.

I knew something was wrong with the child as soon as his father brought him to me.
He was perhaps four, five years old, and everything about him was high-born Mexica: his tunic of cotton embroidered with leaping deer; his skin the colour of cacao bean; his hair as dark as congealed blood. He lay on the reed mat in my temple, shivering; his feverish eyes turned to me and yet did not see me.
That was not what made the hairs on my nape rise.
No, what made me pause was what I saw clinging to his hands and feet: a green, pulsing aura that brought with it the smell of rotting leaves and mouldy earth.

Now in a magazine near you…

- 0 comments

Issue 220 of Interzone, which contains my fantasy story “Ys”, is now available. This is part of a series on French myths (which also includes  “Melanie”, forthcoming in Realms of Fantasy):  it features an unwanted pregnancy, a creepy goddess, and the drowned city of Ys in Brittany, which perished when its princess yielded to the Devil’s advances.

Snippet:

September, and the wind blows Françoise back to Quimper , to roam the cramped streets of the Old City amidst squalls of rain.

She shops for clothes, planning the colours of the baby’s room; ambles along the deserted bridges over the canals, breathing in the smell of brine and wet ivy. But all the while she’s aware that she’s only playing a game with herself–she knows she’s only pretending that she hasn’t seen the goddess.

It’s hard to forget the goddess–that cold radiance that blew salt into Françoise’s hair, the dress that shimmered with all the colours of sunlight on water–the sharp glimmer of steel in her hand.

You carry my child, the goddess had said, and it was so. It had always been so.

Get more information and order the issue

New story up: Memories of My Sister

- 0 comments

“Memories of My Sister” is now up on Expanded Horizons. It’s one of several stories inspired by my trip to India in 2004, set in the Hindu-flavoured universe of Lansara.

Many thanks to everyone who took a look at it on Liberty Hall, on Yahoo (Swapna Kishore), and on OWW (the awesome Marshall Payne, for whom this will be an anniversary of sorts, since I believe it’s the first critique he ever gave me–as well as David Reagan, Jeremy Yoder, John Oshea, Matthew Herreshoff, Samantha Rolfes).

I was baking flatbreads on the hearthstone when I saw my sister walk out of the forest.

I paused, disbelieving. She had left us, many years ago, to become a hermit. She had abandoned both my husband Nayen and me, and we had never heard from her afterwards. We had thought her safely ensconced within the forest, weathering monsoon after monsoon in some crude hut, serenely meditating on the gods of the Triad. And now she was walking towards me, as if she still belonged in my house.

She had changed. Her hair was white, her face gaunt and pinched, as if she had not eaten for moons. She wore rough, blackened clothes of bark, nothing like the red cotton sari she had put on before entering the forest.

I had half-risen, my hands still covered in spiced dough; she saw me. “Isalaya?” she asked, and swayed.

“Menmathe,” I said, and was there to catch her as she fell.

Read more.

New story up

- 0 comments

“Dancing for the Monsoon” now up on Abyss & Apex (thanks to Wendy Delmater and the inimitable Kelly Green). This was my Bootcamp story–infinitely improved with the great feedback I received there. Thanks as well to the BF, and to Marshall Payne, who both convinced me not to throw it away.

Sharing a TOC with Villa Diodati Beloved Dictator Ruth Nestvold. Awesome!

Nanpeng watched her student Khean practise for the Great Dance in the courtyard, her lithe body swaying to the rhythm of the xylophones. Each of Khean’s hand gestures naturally flowed into the next; her body bent smoothly, without visible stress. Khean’s face under the golden headdress was, as proper for a dancer, expressionless, but no tiredness appeared either in her eyes or in her gestures.

Khean was good. Extraordinarily good, and fearless as well. That mattered very much for a dancer, especially one about to enter the Great Dance, the dance that would bring the monsoon rain but leave the dancer utterly paralysed. Nanpeng was proud of her student.

Serey, the High Priest of the Destroyer, stood to Nanpeng’s side, his eyes watching every gesture Khean made.

“Only two days left before the Great Dance,” he said. His almond eyes turned, briefly, to Nanpeng.

“Yes,” Nanpeng said. “You sound worried.”

Serey kept watching the courtyard, where the musicians played under the eyes of the numerous statues of the gods. No, Nanpeng realised with a pang of fear. Serey was watching Khean.

Read more.