I’ll be attending the Worldcon in Dublin in two weeks’ time.
My schedule is below. Note that:
-I’m always happy to stop and chat because this is what I go to cons for: if you see me and I don’t obviously look like I’m hurrying away to go someplace else, feel free to come and say hi.
-I will have copies of my f/f Beauty and the Beast with a dragon retelling In the Vanishers’ Palace and of the Hugo award finalist The Tea Master and the Detective with me at the con: these are self-published and I’m quite happy to sign them (note that this is the only edition of Tea Master that’s going around since the Subterranean one is out of print). The easiest way to find them is at the Hodges Figgis bookstore table in the Exhibits Halls (I think they are in the Dealers’ Area?). I’ll also have some copies for sale at my events, especially my signing on Thursday. Note that this is first come first serve and that once I run out they’re all gone!
-If you’re coming over from North America and would like to grab a copy of The House of Sundering Flames, the concluding volume to the Dominion of the Fallen trilogy, I highly encourage you to hop over to the dealers’ area or to a Dublin bookseller: this title has, right now, no North American release (long story but I’m out of contract in the US) so this is your best chance to get a copy from a bookseller! I’m also quite happy to sign these obviously.
Oppy or Armstrong? Autonomous vs human space exploration
14 Aug 2019, Wednesday 19:00 – 21:00, Fringe (Other)
The Mars Explorer Rover, nicknamed Opportunity (‘Oppy’), launched in 2003, cost US$400 million and operated for 15 years. While an impressive achievement, what more could have been done with a sustained human space programme that was focused on Mars? Can the flexibility of an onsite human team justify the undoubtedly higher cost? What is the role of humans and robot probes in the exploration of space?
Our panelists examine the various (dis)advantages of both human and robotic exploration of Luna and Mars.
This is a free, ticketed event that must be booked in advance, and is taking place at the Science Gallery Dublin, Pearse Street, Dublin 2.
Jeanette Epps (NASA), Noelle Ameijenda PhD (M), Aliette de Bodard, Dr Inge Heyer (Loyola University Maryland), Geoffrey A. Landis
Crime and punishment in the age of superheroes
15 Aug 2019, Thursday 11:00 – 11:50, Liffey Hall-2 (CCD)
Superhero TV shows repeatedly borrow the structures and tropes of cop shows, with many superheroes being ‘Cowboy Cops’ – operating according to the Rule of Cool with a sketchy adherence to notions of due process and civil rights. Can these hybrid narratives really acknowledge the ways in which real law enforcement is tangled up with race, class, and so on, and what do they reveal about attitudes to contemporary policing?
Chris M. Barkley (M), Rachel Coleman, Dan Moren, Aliette de Bodard
Reading: Aliette de Bodard
15 Aug 2019, Thursday 14:00 – 14:20, ECOCEM Room (CCD)
A query online for mothers in SFF led to endless lists of the most badass mothers, but why must mothers always be badass in order to be valid? Do characters like single mother Nicole Reese in Raising Dion represent a change in the depiction of SF motherhood? The panel will discuss the depiction of mothers and carers in SFF and how it aligns with the politics of motherhood in the wider world.
Aliette de Bodard, Kate Elliott, Sylvia Spruck Wrigley (M), Rivers Solomon
What I learned along the way
17 Aug 2019, Saturday 15:00 – 15:50, Wicklow Room-3 (CCD)
Writing is a many wondrous thing filled with highs and lows, but those lows can be really tough to navigate either after a great success or after a lack of success. Rejection is something every writer has to face, but how do writers keep writing in the face of failure? What lessons have they learned along the way? Our panellists share the ups and downs of a writing life.
Aliette de Bodard, Ian R MacLeod (M), Karl Schroeder (Tor Books), George Sandison (Titan Books) , Nina Allan
Dragons, wyrms, and serpents: why the myth endures
19 Aug 2019, Monday 12:00 – 12:50, Wicklow Hall 2A (Dances) (CCD)
There are a lot of mythical beasts that can and do feature in fantasy, but the dragon/wyrm/serpent seems to be one of the most popular. What are the reasons for this enduring popularity? What roles does it perform? What mythic properties does it embody and why do these continue to resonate (if they do)?
Marie Brennan, Karen Simpson Nikakis (M), Aliette de Bodard, Naomi Novik, Joey Yu (Kino Eye Ltd. / Freelance)
It’s almost a month before publication of the final Dominion of the Fallen book, The House of Sundering Flames (coming July 27th from Gollancz), so here’s a little snippet from the beginning:
In Emmanuelle’s dreams, the world was fire. Angels rose on wings of flame towards a distant, unattainable City: a concoction of mother-of-pearl buildings, enameled domes and white, eye-searing streets in which featureless shapes flowed past each other. At the top of the highest tower was the light of a burning sun—it couldn’t be watched, couldn’t be held within her field of vision without hurting her eyes or burning her face. She reached out towards it—towards Him—and everything fell apart, the flames becoming the jagged shards of a vast, unknowable puzzle raining down on her.
She woke up, and everything hurt. She lay on her back for a while, staring at a sky that wasn’t gray—that wasn’t even the cornflower blue of Lucifer Morningstar’s eyes, or of the heavens as they had been, before the war, before the pall of pollution. It was an odd shade of purple, shading into indigo. As she watched, sounds intruded: distant clatters, and a rumble, like stones collapsing atop each other. It was hot—too hot.
She needed to get up.
What to expect: a Gothic Paris devastated by a magical war, a bi dragon prince with a gift for trouble, explosions, back stabbings and creepy birds! (oh, and creepy trees, too. Because apparently nature is scary insofar as I’m concerned).
If you want to know more, there’ll be a longer excerpt (the whole of chapter 1, which has dragon prince Thuan as an additional point of view character) going out tomorrow with the newsletter: you can sign uphere!
The funny thing about living in Europe is that I blearily woke up this morning, made a tea to try and wake up while still rubbing my eyes, and while I was making a bottle of milk for my youngest I saw that my twitter mentions had exploded.
Below is the full text of my acceptance speech as kindly delivered for me by my good friend Fran Wilde, acceptor extraordinaire:
That was not expected.
I would like to thank Fran Wilde for accepting this award on my behalf, my editor Yanni Kuznia, Geralyn Lance, Bill Schafer, Gwenda Bond and everyone at Subterranean Press who worked on this book; my cover artists and designers Maurizio Manzieri, Gail Cross at Desert Isle Design and Dirk Berger, my agent John Berlyne as well as the JABberwocky team (Joshua Bilmes, Lisa Rodgers, Patrick Disselhorst) for the non-American edition. To my friends and supporters: Likhain, Zen Cho, Alis Rasmussen, Tade Thompson, Vida Cruz, Victor Fernando R. Ocampo, Cindy Pon, Kari Sperring, Liz Bourke, D Franklin, Zoe Johnson, Jeannette Ng, Nene Ormes, Ken Liu, Elizabeth Bear, Stephanie Burgis, Alessa Hinlo, Inksea, and Mary Robinette Kowal, as well as everyone who spread the word, nominated this and voted for it.
I wrote this book for fun: it was a story that mashed together two of my childhood idols, Sherlock Holmes and Judge Dee, one that came with no deadlines or expectations attached to it. One thing I realised was that it’s easy for writing–for any writing–to feel frivolous and self-indulgent. There are always more important things to do, especially as a mother of colour–children, family, day job, politics in an environment that feels like it’s swinging back to darker days, with people stopping me in the streets and telling me to go back home. It’s so easy to take the path of least resistance and put writing last, to always find something more important that needs to be done.
It’s so easy to choke for lack of self-care.
The truth, of course, is that writing matters. It is frivolous, it is self-indulgent, but it is also necessary. It is breathing space and act of resistance and escapism on my own terms. Stories shaped me as a child and continue to shape me as an adult. And it is a great and potent reminder of how far this particular one has gone to be accepting this award, now.
Very pleased to reveal my upcoming short story collection with Subterranean Press.
Isn’t it gorgeous? The title was my choice, as it brings together several of my preoccupations! The cover is by artist and friend Maurizio Manzieri, and the cover design by Gail Cross of Desert Isle Design.
A major first collection from a writer fast becoming one of the stars of the genre… Aliette de Bodard, multiple award winner and author of The Tea Master and the Detective, now brings readers fourteen dazzling tales that showcase the richly textured worldbuilding and beloved characters that have brought her so much acclaim.
Come discover the breadth and endless invention of her universes, ranging from a dark Gothic Paris devastated by a magical war; to the multiple award-winning Xuya, a far-future space opera inspired by Vietnamese culture where scholars administrate planets and sentient spaceships are part of families.
In the Nebula award and Locus award winning “Immersion”, a young girl working in a restaurant on a colonized space station crosses paths with an older woman who has cast off her own identity. In the novelette “Children of Thorns, Children of Water”, a shapeshifting dragon infiltrating a ruined mansion finds more than he’s bargained for when his partner is snatched by eerie, child-like creatures. And in the award-winning “Three Cups of Grief, by Starlight”, three very different people–a scholar, an engineer and a spaceship–all must deal with the loss of a woman who was the cornerstone of their world.
This collection includes a never-before seen 20,000-word novella, “Of Birthdays, and Fungus, and Kindness”, set in Bodard’s alternative dark Paris.
It will be published in September 2019 in a gorgeous hardback edition, and include my favourite stories from the Hugo-award nominated Universe of Xuya, as well as some Dominion of the Fallen fiction set in my Gothic devastated Paris (the universe of The House of Shattered Wings, The House of Binding Thorns and the forthcoming The House of Sundering Flames).
The original novella, “Of Birthdays, and Fungus, and Kindness” is a comedy of manners set in the Dominion of the Fallen universe, where Fallen angel Emmanuelle attempts to throw a relaxing birthday party for her partner, and everything goes wrong in all the worst possible ways. Complete with supernatural fungus in a ballroom, meddling immortals and Emmanuelle desperately trying to keep it all going smoothly in spite of her enemies–and of her friends!
This is a limited print run. If you want a copy, now would be a good time: my previous novella for Subterranean Press, the Hugo and Nebula award finalist, The Tea Master and the Detective, went out of print relatively fast.
I’m shocked and delighted that my long-running space opera series, The Universe of Xuya, and its latest outing, The Tea Master and the Detective, are finalists for a Hugo Award for Best Series and Best Novella, respectively. I conceived of Xuya as a sandbox where I could tell my stories –of family, and children, and what is passed on between generations, of a galactic empire taking its cues from Confucianism, Daoism and Buddhism as in the stories I grew up with–of people of Vietnamese descent who got to go into space and build their own societies and stories. The universe has been with me for a long time, growing alongside my career. It means a lot to me to see this recognised.
My deepest thanks to everyone who nominated it and spread the word. Thanks as well to everyone who made this possible by publishing the stories, and in particular the latest book, The Tea Master and the Detective–many thanks to Yanni Kuznia, Geralyn Lance, and everyone at Subterranean Press for a gorgeous and much successful book–and to John Berlyne, Joshua Bilmes, Lisa Rodgers, Patrick Disshelhorst and everyone at JABberwocky for the non-North American edition. And to my friends and to my fans, for the support that always keeps me going.
Also many congratulations to everyone on the ballot as this is a truly awesome list.
So here we go again, it’s 2019, which means it’s time for my big end-of-year-ish recommendations post!
For your consideration
In 2018 I published The Tea Master and the Detective (Subterranean/JABberwocky Literary Agency Inc.),a gender-swapped Sherlock Holmes in space, where Holmes is an abrasive down-on-her-luck scholar, and Watson is a traumatised ex-transport ship discharged from the army who brews tea for space travel. It’s gotten a lot of press from people who aren’t me:
“a window onto a beautifully developed world that widens the meaning of space opera, one that centers on Chinese and Vietnamese cultures and customs instead of Western military conventions, and is all the more welcome for it.”
Amal El-Mohtar, The New York Times
The Tea Master and the Detective is the Sherlock Holmes retelling I always wanted and now I have it. And I want so much more of it.
It’s set in my Xuya universe but absolutely no prior knowledge of the universe is required. You can read an excerpt here, and get the ebook here (North America) or here (UK and other countries). The US edition is officially out of print at the publisher’s–there are a few copies around already in warehouses, so grab one if you see it! There’s also a brand new non-North EU print edition. (Amazon UK | Amazon DE | Amazon ES | Amazon IT | Amazon FR).
(PS: because several people have asked: the f/f Beauty and the Beast retelling with a dragon, In the Vanishers’ Palace, from JABberwocky Literary Agency Inc., is a novel for awards purposes–it’s at this uncomfortable 48K length, but that’s just the way things turned out 🙂
Also, yes, the Xuya series as a whole is eligible for whole series, see Tea Master above for the instalment published this year)
And here’s my list of things I loved this year! (I will update when/if I find time to read other stuff but wanted to get this out there first)
Fran Wilde, “Ruby, Singing” is a heartbreaking story of gems, murder, and memory.
Ian Muneshwar, “Salt Lines” : a story of a man and a monster, and everything that separates them–and everything that doesn’t. So powerful.
Isabel Yap’s “Asphalt, River, Mother, Child”: this one is dark and informed by current events (in the Philippines, specifically), which makes it all the more poignant and urgent. It takes an unflinching look at the police killings and the toll they take–and the prices to be paid, in the end.
Vanessa Fogg, “The House of Illusionists”: heartbreaking and harrowing, the story of teachers and their child students in a city under siege, and the power of magic.
RSA Garcia’s “The Anchorite Wakes” : a compelling story of religion, and the bond between an anchorite sister and an abused child. Dark and imaginative.
Izzy Wassterstein, “Unplaces: An Atlas of Non-existence” is a short and super poignant list of places that do not exist, and how they connect to the life of the narrator, a queer researcher hiding for militias in a supremacist America overrun by Lovecraftian monsters.
Zen Cho’s “If at First You Don’t Succeed, Try, Try Again” is the story of an imugi (as the author says, “the failboat of the dragon world”), a Korean creature who must earn its ascent to dragonhood–except, of course, that things don’t go quite as planned. It’s sweet and powerful and just right. (there’s also a very sweet story coda here)
Usman Malik, “Dead Lovers on Each Blade, Hung”: a super creepy story of a missing woman, drug dealers, and snakes. Does exactly what horror is supposed to do: gets under one’s skin and clings there.
Stephanie Burgis, Spellswept: an ambitious woman has to save a party held in an underwater ballroom from utter disaster–and to find the man of her heart. Very sweet and with Steph’s usual eye for distinctive and memorable characters.
Juliet Kemp, A Glimmer of Silver: a great compelling good at life on an ocean planet and the way accommodations are reached (or not) between very different people and creatures. (note: the original publisher of this was The Book Smugglers)
Premee Mohamed’s The Apple-Tree Throne: set in an alternate 19th-Century England, this is the story of a veteran returning from a war and his uneasy relationship with the family of his dead commanding officer–while the ghost of said officer haunts him. Haunting and elegiac, and infused with a strong sense of atmosphere and memorable characters.
Tade Thompon’s Rosewateris probably not eligible for anything save the UK awards, as it was already published in the US once–the 2018 Orbit edition marks its first UK publication, though). Even if you’re not nominating, though, you should check it out, because it’s a super original alien invasion story chockfull of ideas and atmosphere.
Tasha Suri’s Empire of Sandis an enchanting epic fantasy set in a Mughal Empire-inspired world, dealing with power and oppression and love and the dreams of the gods
CL Polk’s Witchmark: a queer sorcerer hiding his identity teams up with an immortal to find a murderer. Flirting, kissing, bicycle chases, and investigation amidst political intrigue in the wake of a war
Rebecca Roanhorse’s Trail of Lightning: post-apocalyptic fantasy with magic, a hard-bitten heroine and her new assistant who kill monsters in a world where the Navajo monsters are real and the First Nations reservations have become beacons of civilisation.
Sergey and Marina Dyachenko’s Vita Nostra: so I originally read a self-published version of this, and it was already pretty awesome. I’m so glad that this book has got a large editor behind it and the cover and buzz it deserves. It’s dark Harry Potter on steroids, with bonus metaphysics, and it never quite went where I expected it to go.
Juliet Kemp’s The Deep and Shining Dark is queer epic fantasy with chewy characters, an intriguing magic system, and the best good chaotic trans magician.
Fiction things I haven’t read but which I believe you should check out: Yoon Ha Lee’s Revenant Guni (novel), Claudie Arseneault’s Baker Thief(novel)
Best Related Work
Marissa Lingen, “Hard Enough”: on genre definition, hard SF and cliques and so much that I just want to cheer about.
Best Fan Writer Liz Bourke, for her “Sleeps With Monsters” column at Tor.com and her columns in Locus and the work she does in general highlighting women and queer and marginalised folks.
Bogi Takács, for eir website “Bogi reads the World”, championing of diverse literature and regular worldbuilding threads.
Charles Payseur, for Quick Sip Reviews, for its focus on short fiction and queer short fiction in particular
Best Fan artist
I’m totally biased as she’s a friend, but I think Likhain is still doing stellar work. This year, she did a bunch of really awesome pieces, most notably those two linked prints for In the Vanishers’ Palace: link to the prints here and here.
I believe Tasha Suri (mentioned above) is eligible.
Jeannette Ng is in her second year of eligibility (following the publication of Under the Pendulum Sunby Angry Robot, which is just the kind creepy Gothic fantasy that sticks in the mind, and which you should check out if you haven’t).
This is basically a book inspired by Rebecca Solnit’s A Paradise Built in Hell, about how the post apocalypse would involve fighting for survival but also extraordinary kindness. Featuring: hawks, explosions, queer families, Vietnamese dragons and murderbirds(*).
Focusing on House Harrier in Grenelle (15e arrondissement of Paris), though most of the cast of the prior two books will be making a comeback.
(*)not the hawks, but the deadly combination of a deadpan do-gooder bi dragon prince and his husband, best described as lawful evil with ground rules and no scruples. Given a run for their money by the tag-team of an insecure but ruthlessly protective leader and her idealistic partner, entirely resigned to the trouble that follows them around.