And in the wake of my title-spread for my Aztec steampunk “Age of Miracles, Age of Wonders”, here’s the complete TOC for Interzone 230, out in early September, with excerpts and art.
I get to share space with Patrick Samphire and fellow AR author Lavie Tidhar. W00t.
Via Andy Cox, the title spread for my upcoming “Age of Miracles, Age of Wonders” (forthcoming in Interzone 230, the very next issue).
Er, wow? I am *so* glad Interzone is back to full colour. It looks awesome! (plus, mechanical men. And fallen gods. And Aztecs. You can’t really go wrong with any of those).
Very literally, in this case….
My Aztec steampunk weird alt-hist “Age of Miracles, Age of Wonders” has sold to Interzone (with mechanical creepy man, imprisoned god, blood magic, and a mining town in the Old West). Many thanks to the VD6 crew, Nancy Fulda, Stephen Gaskell, Sara Genge and Ralan Conley, for the crits that helped me fix the ending of this.
And I would also seem to have sold my Aztecs-in-space SF story “Shipbirth”, part of the Xuya continuity, to Asimov’s (do you detect a trend in story themes? :=) ). Many thanks to everyone who took a look at it on OWW: Allison Starkweather, Cécile Cristofari, Terra LeMay, L.K. Pinaire, Christine Lucas, and Ilan Lerman. And an extra dose of thanks to Rochita Loenen-Ruiz, who read it in record time and helped me fix a very important plot point.
I will be going for a liedown and more novel brainstorming.
Have had a couple questions about my alt-history universe Xuya (where the Chinese, the US and the Aztecs share North America), I decided to take the plunge, and transcribe my notes into a more legible form. I figured that with three stories out (two in Interzone and one in this month’s Asimov’s, the universe had cemented well enough that people might want extra explanations.
So behold the brand new spiffy Xuya page: all you’ve ever wanted to know about Xuya (well, not quite yet, but it does have a few pointers about the chronology, where the stories fit in there, and a few items of general interest).
Enjoy!
BTW, since I’ve locked the comments on the page, this post here is as close as it’s getting to the official question thread–in the (unlikely[1]) event that you have any interrogations about Xuya-related stuff, ask in the comments, and I’ll do my best to answer.
So while I was at Eastercon (brief con report to come), the David Gemmell Legend Awards shortlist came up–and Pierre Pevel’s The Cardinal’s Blades (with cover by John Sullivan and Sue Michniewicz) did a clean sweep, being nominated in Best Novel, Best Newcomer and Best Artwork. W00t, let’s hear it for translated fiction!
(the website possibly has a textual version of the nominees, but I couldn’t find it. I direct you to this post instead)
And, of course, the Hugos were also announced Sunday evening–mega congrats to everyone, but special mentions for Eugie Foster for being on the novelette ballot with her fabulous “Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast” (first published in Interzone 220); to Rachel Swirsky with her equally fab “Eros, Philia, Agape” (Tor.com. I personally preferred “A Memory of Wind”, which is on the Nebula Ballot, but both are tremendous stories); and, finally, to Tony C.Smith and the StarShipSofa team for making the “Best Fanzine” category.
*happy writer*
SFWA has posted the final ballot for the Nebula Awards. Lots of familiar names on the ballot, but a huge shoutout to Eugie Foster and Jason Sanford for upholding the Interzone flag–and to sometimes contribs Will McIntosh and Rachel Swisky for making the cut, too. I’m so glad that not only are Interzone stories eligible this year, but also that we have two of them on the ballot (strictly speaking, Eugie’s story would have been eligible by virtue of publication in Apex, but still).
The only one of those four I haven’t had a chance to read is Bridesicle, but the other three stories are definitely well worth a read (“Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast” in particular is fabulous).
Short Story
Novelette
Novella
Novel
Bradbury Award
Andre Norton Award for Young Adult Science Fiction and Fantasy
For more information, visit www.nebulaawards.com or www.sfwa.org
Your Sunday morning pimpage:
-Fellow WIBite Keyan Bowes has a story up at Cabinet des Fees, “Nor Yet Feed the Swine”, a creepy take on the Curlylocks nursery rhyme. Bet you’ll never see strawberries the same way after reading it…
-Fellow VDer Stephen Gaskell‘s “Aequestria” is in the current issue of Interzone: a neat SF take on colonisation, with a nice twist at the end (and gorgeous, full-colour artwork by Jim Burns).
-And, with some delay because I hadn’t got around to reading it until recently, Angela Slatter‘s “The Chrysanthemum Bride” in Fantasy Magazine, a horror story set in Ancient China, about a vain woman taken to be the bride of the Emperor. You know it’s going to end badly and suspect some of the ending, but you still can’t stop until the end…
An interesting post from writer Jason Sanford about the new wave of SF: Scifi Strange.
The movement combines a literary (and sometimes experimental) style with a multi-cultural viewpoint and examination of basic human desires and needs, all while staying within the real-world parameters of SF’s literature of ideas.
(yes, you won’t find it in the blog post. I cheated and lifted it from another post Jason made in the TTA Press forums)
Jason mentions a bunch of writers from Interzone: Eugie Foster, Gareth L. Powell, Mercurio D. Rivera and me–along with Paolo Bacigalupi, Ted Chiang, Ian McDonald, and Nnedi Okorafor.
That’s interesting (basically New Weird, but in SF 
). It does describe pretty well the SF I write, as well as the SF I enjoy; and I can think of a couple other writers who are dealing with it, like Sara Genge.
What do you think? Is that a new movement, or has it been there all along? Any other exciting things happening in SF on a large scale?
