I haven’t done this for a bit, so here’s me catching up on a few links over the internet:

-Over at Chimeras, Elena Giorgi interviews me on Writing, Science and Language
-Jason Loch interviews me for Toonari Post, and blogs about his love for Obsidian and Blood
-I blog over at Juliette Wade’s Talk to You Universe on French convivial meals such as raclette, pierrade and fondue
-Erin M. Hartshorn posts about me in her A to Z of female SF writers, and in particular about “The Jaguar House, in Shadow”
-Tony’s Thoughts reviews Servant of the Underworld
-A medley of reviews for D’Obsidienne et de Sang (in French): Noosfere, Les Chroniques de Madoka, Mythologica, another one at Mythologica, Kawell of BOOKS EN STOCK at YouTube, Madoka, Dup at Book en Stock , Anesidora at Terre Des Mille Lieux. Mostly all positive, if not outright dithyrambic. Wow.

And because a post like this is missing pictures, here’s the H and I at the Hugo Awards ceremony, courtesy of Richard Man (you can see all his Hugo pictures here):

So we had a great romp in the US (except for the bit where we burst the tyre landing, see earlier post): we got to stay with the amazing Dario Ciriello and his wife Linda; to meet up with Keyan Bowes, Jason Ridler, Erin Hoffman, Nick Mamatas, Katherine Sparrow, Kate Kligman, and Mike-whose-last-name-I-keep-blanking-out-on (sorry. If you’re around in comments and want to amend, I’d very much appreciate it).
And I had a great worldcon altogether, meeting with many many friends, and staying up far too late. I got to see good friends T.L. Morganfield, Chris Kastensmidt and Ken Scholes, met a whole bunch of people I only knew from online (or didn’t know at all) and spent a lot of time hanging out with awesome people, which is always cool. Many thanks to Patty Wells and her organising team –it is truly a massive labour of love to organise those events, and I don’t think I’m near aware enough of the enormous quantity of work that goes on behind the scene to give us this wonderful space in which to share our love of genre.

I had a lovely time on panels as well, though in retrospect I should have taken on more programme load (I wanted to avoid the Montreal burnout, but I ended up on too few items). The panel on non-European fantasy we had with Chris Kastensmidt, Ken Scholes and Saladin Ahmed had a great discussion going on, and many insights (and it was filmed, too, which means you should be able to see it on the internet somewhere…) I mostly played wallflower on the Minorities on Covers one (though I should really have registered my opposition to the notion that the reason Hollywood movies were so racist was because of foreign demand. Uh, I’m sorry? We don’t particularly care about White Americans over in Europe either, and I’m pretty sure most of Asia would rather have Chinese-Americans than middle-aged White dudes. Please stop using us non US-ians as excuses for all-Hollywoodian failings). And I ended up cancelling the Cross-Cultural Influences one because I was so nervous about the Hugos (which was stupid, I freely admit. I could have managed it). Reading and kaffeklatsch went pretty well, and so did autographing session. And I came home with lots of books (OK, not so many. Got Warbreaker, my fave Brandon Sanderson book, and a load of Shlock Mercenary comics).

It’ll come as no particular surprise that not only did I not win a Hugo, I also ranked pretty much last on most people’s ballots… [1] Not complaining though. It is truly an honour to be a nominee, especially for a Hugo, aka the award which defined so much of my science fiction reading. And it was a very strong ballot, and I am truly humbled by the number of people who read, enjoyed, and voted for “The Jaguar House, in Shadow”. Also, I got to show off my lovely dress, which counts for something [2] (and the Hugo nomination was an excuse to do the California roadtrip with the H–on which more later, when we upload the pictures–, so pretty good there as well).

Many congrats to the Hugo winners, in particular to Mary Robinette Kowal for picking up her first Hugo, to Clarkesworld for their second (NOTE: Neil posted they were retiring from contention for next year, in the interests of the category)–and especially many many congrats for Sheila Williams for her well-deserved win: given the number of Asimov’s stories on the Hugo ballot/who won a Hugo in recent years, not having her win Best Editor for Short Form seemed downright odd. A bit miffed that the following wins didn’t happen: Ian McDonald’s The Dervish House (plus, Ian in kilt was awesome), N.K. Jemisin’s The Hundred Thousand Kingdoms (yes, it’s two in the same category. I’m allowed to be schizophrenic), Alastair Reynolds’ “Troika” (Alastair hasn’t exactly been recognised by the Hugo voters before, and it’s a crying shame…), and Lauren Beukes (who is very much made of awesome. Definitely looking forward to her next book). But you can’t win every time…

The H and I were also fairly puzzled by the Japan video at the Hugo Awards: we loved the glimpse into other cons in another country, but listing only the Western Anglophone winners on the Seiun Awards felt… oddly self-centered? We kind of wanted to see what was cutting edge in Japan, as well [3] (and I have to admit neither of the two names meant much to us except in a “oh, I’ve seen this name before” way, so seeing a few Japanese names and publication covers wouldn’t have been so conceptually different for us).

In travel news, I knew this already, but I think I’ll never trust security checks again: we realised after we’d cleared security that we had a folded Opinel knife in the outer pocket of our backpack, in full sight–and that absolutely no one had seen it or commented on it. But, on the other hand, I couldn’t check in online with American Airlines because they couldn’t figure out that “Aliette Debodarddelajacopiere” and “Aliette de Bodard de la Jacopiere” were really the same person (hey, not my fault the reservation systems has limited space for my full name and insists on lumping it all together…); and we got the suitcase searched coming AND going. Which, at a guess, probably didn’t yield much of interest (except if you’re looking for fully licit Shlock Mercenary contraband, of which there was plenty), and got me fairly miffed when whoever repacked the suitcase broke all the cookies we were bringing to the con. Still wondering–was it the TSA-friendly lock that they saw as a challenge?

Anyway, more later (including a confession post, and California picture trips). Gotta cook dinner and go to bed, and then we can see about this writing thing tomorrow…

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[1] Most people on the internet seemed to be complaining about the story not working for them, so I figured my chances ran pretty close to a snowball’s in Hell…
[2] And the rocket pin. Don’t forget the rocket pin. I now have a Nebula pin, a Hugo pin and a Campbell pin, and feel I can dazzle my way out of pretty much everything (and if it doesn’t work, I’ll just hit people with the BSFA trophy).
[3] And thanks to the magic of Google, here’s the list of winners, and nominees (nominees isn’t great, there seem to be info missing from it, but I don’t read Japanese, it’s the best I could find…)

The H and I just handed in our Hugo ballot. There’s until July 31st to read and vote, but we’re both really absent-minded, so better safe than sorry.

You can actually still register online, either as a full attending member, or as a supporting member if you’re not planning to attend the con. In both cases, you get the voters’ packet, which is chockfull of goodies, including awesome comics like Fables, and entire novels only available in hardcover. Well worth the (50$-) price of admission. Plus, of course, you get the right to vote for the Hugos–and, like any popular awards, the Hugos are determined by their voters. If you’re happy/unhappy/angry with the Hugos, now is the chance to make your voice heard!

(and, while you’re at it, if you have a moment to consider my story “The Jaguar House, in Shadow” for Best Novelette, I’d be really honoured and grateful)

Huge congrats to fellow AR author Lauren Beukes for winning the Clarke Award for her novel Zoo City.

And, while you’re at it, you can go read her post on Writing the Other over at the World SF blog.

Writing The Other is a sensitive topic. It should be. Not least because it’s so often been done so very, very, badly.

But the truth is that unless you’re writing autobiography, any character you write is going to be The Other.

I am not a serial killer. (Unless my multiple personalities are hiding something from me.) I am also not a 50s housewife, a parking attendant, a car-jacking reality TV star, a Ugandan email scammer, a Tokyo mecha pilot, or a future-world stubborn-as-heck gay anti-corporate activist. And even though my novelist friends Thando Mgqolozana and Zukiswa Wanner like to joke that I’m a black girl trapped in a white girl’s skin, I’m not Zoo City’s hip, fast-talking, ex-journo, ex-junkie black Joburg girl protagonist, Zinzi.

(you can also see Lauren on the Hugo Awards shortlist, where she’s up for a Campbell Award)

So…

It was a very good Eastercon; and it was also a very frustrating one. Due to several other commitments, my roommate (the awesomely talented Rochita Loenen-Ruiz) and I arrived late on Friday evening, and as a result I ended up missing most of the action until Saturday morning (whereupon I had a brief moment for breakfast with Tricia Sullivan, Paul Cornell and Lauren Beukes, before I was whisked off for my signing, where I spent the rest of the afternoon). I watched the new Doctor Who episode, which was awesome but slightly frustrating–it’s all well and good for those who have BBC at home, but I’m going to have to wait for it to air in France or go to DVD before I can know the ending (interestingly, I prefer Matt Smith’s Doctor to Tennant’s Doctor, though Eccleston remains my favourite of those incarnations I’ve seen).

Then it was time for the BSFA Awards. As you can see, I hadn’t had much time to myself till then, so I wrote a very hasty and illegible speech on the back of a piece of paper while in the queue for Doctor Who, secure in the knowledge it wouldn’t ever be pronounced.

You can see this coming a mile off, don’t you. “The Shipmaker” won Best Short Fiction. Once I got past the OMG OMG moment, I just knew I was going to have to improvise something. I have no idea how it all went, because it’s a bit of a blur, but let me thank once again, everyone who voted in the short fiction category, the tireless people of the BSFA for organising the Awards, Paul Cornell and David Weber for presenting it to me, and Andy Cox, Andy Hedgecock, Roy Gray and the rest of the Interzone team for publishing the story in the first place. (I do have a shiny trophy, but due to various logistics problems it’s, er, temporarily elsewhere. Will take pics and display them when I have them). Major congrats as well to Paul Kincaid, Joey Hi-Fi and Ian McDonald for taking the prize in their categories; and finally, kudos to my fellow nominees, Nina Allan, Peter Watts and Neil Williamson. It was an honour to be with you guys.

Sunday, very fortunately, was quieter, allowing me time to browse in the dealers’ room, hang out with friends in the bar, and steel myself for the evening. Namely, something I had been sitting on for a couple of weeks–the Hugo nomination of “The Jaguar House, in Shadow” for Best Novelette.

The announcement is also a bit of a blur, but fortunately no speeches were involved. Very happy to see a number of friends on the ballot such as Lauren Beukes, Rachel Swirsky, Eric James Stone, Ian McDonald, and Mary Robinette Kowal. And very very happy to see Alastair Reynolds finally up for a Hugo (you’d think he’d have been nominated before, but apparently not). And also very happy to see so many women up for awards, especially in the fiction category. Though we were talking it over with the H yesterday, and we weren’t entirely sure that nominations would transcribe into wins due to the way the ballot was structured (not sure about the others, but I expect Ted Chiang to win the novella, and I also suspect that all the proponents of traditional science-driven SF–of which there are many–will vote for Ian McDonald, giving him a strong edge in terms of votes). I very much hope I’ll be proved wront there.

So, at any rate, the complete list of Hugo nominees is here; lots of good stuff to check out; and thanks to everyone who nominated me, or supported me, or cheered for me when the announcement came out. And if, you know, you happen to want Jaguar Knights to win the shiny rocket trophy, you know what to do

Other than that, it was a great but exhausting con. I did my reading (the cookies went down a treat at that one–and my deepest thanks to everyone who turned up to show support); got on a couple of last-minute panels on Monday about Race and Gender in SF and Self-Promotion for Writers; met lots of people–old friends, new acquaintances–and generally had tons of fun and many productive discussions. I’m only sorry it was so short, and that there were some people I managed to miss altogether. But hey, here’s to next year.

So, day after tomorrow is the deadline for nominating for the Hugos–for which, like the Nebulas, I’m sadly behind, especially on the novels. But, as for the Nebulas, I read some awesome short fiction this year, so here are my suggestions again:

-”Alternate Girl’s Expatriate Life”, by Rochita Loenen-Ruiz (Short Story): a great story of immigration, alienation and man vs. machine. Available on the SFWA forums, or in the e-edition of Interzone 229 (available at Fictionwise).
-”Flying in the Face of God” by Nina Allan (Novelette): about space explorations, its cost and its impact on those who are left behind. Available here as a PDF from the TTA press website.
-”The Lady Who Plucked Red Flowers from Beneath the Queen’s Window” by Rachel Swirsky (Novella): a tale of a woman summoned again and again from beyond death to practise magic–dealing with loss, prejudice and the evolution of cultures and countries, and a great reversal on the “summoning demons” trope. Available here from Subterranean.
ETA: may I also recommend Rochita Loenen-Ruiz for the Campbell Award? In addition to the Interzone story, check out this awesome one at Fantasy Magazine.

(my own stuff is here if you feel like trying it out: “The Jaguar House in Shadow”, an Aztec alt-hist novelette on friendship, betrayal and honour, is on the Nebula Awards shortlist; and of course I’d be pretty darn honoured if you deemed it worthy)

So while I was at Eastercon (brief con report to come), the David Gemmell Legend Awards shortlist came up–and Pierre Pevel’s The Cardinal’s Blades (with cover by John Sullivan and Sue Michniewicz) did a clean sweep, being nominated in Best Novel, Best Newcomer and Best Artwork. W00t, let’s hear it for translated fiction!
(the website possibly has a textual version of the nominees, but I couldn’t find it. I direct you to this post instead)

And, of course, the Hugos were also announced Sunday evening–mega congrats to everyone, but special mentions for Eugie Foster for being on the novelette ballot with her fabulous “Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast” (first published in Interzone 220); to Rachel Swirsky with her equally fab “Eros, Philia, Agape” (Tor.com. I personally preferred “A Memory of Wind”, which is on the Nebula Ballot, but both are tremendous stories); and, finally, to Tony C.Smith and the StarShipSofa team for making the “Best Fanzine” category.

*happy writer*

Since everyone is doing it for the final Hugo push (not that I think I have a rat’s chance, but it’s fun to share), a re-post of the stuff I’m particularly proud of for this year:

Short stories
-(SF) “After the Fire”, Apex Magazine, November 2009. Available in handy podcast format as well at StarshipSofa.
-(dark fantasy) “Golden Lilies”, Fantasy Magazine, August 2009. Came in the Top Five of the reader’s poll for 2009. Available in handy podcast format as well.
-(epic-ish/philosophical fantasy) “In the Age of Iron and Ashes”, Beneath Ceaseless Skies, 31st December 2009. Also available in handy podcast format.

Novelette
(SF)“On Horizon’s Shores”, IGMS, issue 14, September 2009. Will email.

You can find a longer list of what I published in 2009 here at my website. If you feel like reading anything in the short fiction department, feel free to email me and I’ll provide you with a e-copy (PS: the offer applies whether you’re a voting member or not; I’d be delighted to share what I published).

Next post will feature actual content, I swear.

I dithered over whether to post, or not, but what the heck…

Should you wish to read some of my shorts and nominate them for the Hugos (before March 13th): here are some stories I’m particularly proud of.

Short stories
-(SF) “After the Fire”, Apex Magazine, November 2009. Available in handy podcast format as well at StarshipSofa. AKA the one Lavie Tidhar commissioned out of me for his World SF special issue. Post-apocalypse, Chinese style.

In her dreams, Jiaotan saw Father: hands outstretched, the flesh of the fingers fraying away to reveal the yellowed, tapered shape of bones, the deep-set eyes bulging in their sockets, pleading, begging her to take him away.

-(dark fantasy) “Golden Lilies”, Fantasy Magazine, August 2009. Came in the Top Five of the reader’s poll for 2009. Available in handy podcast format as well. A story of Chinese ghosts, bound feet and unsatiated desires. This one was a lot of fun to write–fair warning though, it’s pretty explicit and somewhat gruesome (the violence is somewhat peculiar, and no one dies, but it’s kind of squicky all the same).

It was the smell which woke me up, insinuating itself between the planks of my coffin: cooked meat mingling with the sweet odour of aromatic rice, and the tangy hint of fruit and spices — a powerful summoning if there ever was one.

-(epic-ish/philosophical fantasy) “In the Age of Iron and Ashes”, Beneath Ceaseless Skies, 31st December 2009. Also available in handy podcast format. In a besieged city, a man confronts a runaway slave–and faces what he’s made of his life. I confess this one is by far my favorite of the three. I am not very sanguine about its chances, though, as it’s even bleaker than the other two (and believe me, that takes something), and it’s been published in a fairly obscure venue. But one can hope :=)

They ran the girl down, in the grey light of dawn: a ring of copper-mailed horsemen, racing after her until her exhaustion finally felled her.

Novelette
(SF)“On Horizon’s Shores”, IGMS, issue 14, September 2009. Erm. My only true SF story of the year (the other one is an alternate history). A story of extreme transformations, love and learning to let go.

Alex and Thi Loan transferred at Sapalawa Spaceport, from their small shuttle to a military Naga craft — the only ones still allowed to crawl between the stars with the fuel shortage.

You can find a longer list of what I published in 2009 here at my website. If you feel like reading anything in the short fiction department, feel free to email me and I’ll provide you with a e-copy (PS: the offer applies whether you’re a voting member or not; I’d be delighted to share what I published).

So, with the deadline for the Hugos approaching, I thought I’d do some recommending. Herein is the stuff I’m really rooting to get onto the ballot. (fair warning: I know a lot of the people involved here, but I’m only recommending the stuff I loved, and sharing it in the hope that you’ll find some gems of your own in there).

Best short story:
-“As Women Fight” by Sara Genge (Asimov’s December 2009): a nice and thoughtful take on gender changes, taking place on a planet where the gender in a couple is determined by who wins the annual fight. With neat reflections on friendships, abuse and the dividing line between man and woman. It’s been collected in two Year’s Bests, has made the Locus Recommended List, and I’ve already seen some support for it in the Hugo competition. Definitely worth a read.

-“The Chrysanthemum Bride” by Angela Slatter in Fantasy Magazine, a dark story set in Ancient China, about a poor but vain daughter of peasants taken to be the bride of the emperor. Truly horrific, and will linger in your mind long after you’ve finished it.

Best novelette:
-“Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast” (Interzone 220, reprinted online in Apex): ok, the title has me checking it every time I type it out, but this is one that’s made of awesome. Set in a world where people don new identities every morning with the help of masks, this one follows a typical individual as he stumbles onto the foundations of the society. It’s strange and rich with beautiful language, and a kickass ending.

Best novel:
-By the Mountain Bound by Elizabeth Bear: a story that takes its inspiration in Norse myths, it follows the einherjar and the valkyries, the Children of the Light who try to uphold the order of a new world even though their Father (Odin) has died in Ragnarok. When a strange woman washes ashore, claiming to be the Lady, one of the gods the Children have been waiting for. She means to fight the prophecied war against their enemies–but is she really who she claims to be?
This one is a prequel to All the Windwracked Stars, which I also loved. Unlike its sequel, it’s definitely more epic fantasy in tone–but it takes its cues from the Norse epics, which are far more sombre and violent than most moden fantasies. I loved the ending–and loved that Elizabeth Bear had the guts and the skills to pull this off.
-Canticle by Ken Scholes: sequel to Lamentation, this one continues to follow Scholes’ characters as they inch every closer to the secret of the destruction of the city of Windvir. Gypsy leader Rudolfo faces assasination attempts, and the birth of his own sickly son; young Neb seeks a secret in the desolate Wastes, one that could change the face of the Named Lands; and Winters, the ruler of the Marsh People, has to deal with heresies among her own people. Scholes melds religion and science brilliantly in this post-apocalyptic fantasy–this is even better than Lamentation (which had already blown me away).
-The Shifter by Janice Hardy: I really wish there were a YA category on the ballot, but in the absence of that we’ll make do with Best Novel :=) The Shifter (aka The Pain Merchants in the UK) is the story of Nya, an orphan in a world where pain can be shunted off into a special metal. But Nya is special: she can shift pain into other people. When her sister disappears, Nya has to use her abilities to find her–without letting herself be found out and used as a weapon…
It’s got an awesome core concept, and a unique and fun voice for Nya that makes the whole book very endearing. Also, it doesn’t shy away from darker moral choices, definitely making it stick in the mind.

Best Semiprozine:
-Interzone: regularly on the semiprozine ballot without my plug, I suspect, but still… I do love the magazine. It’s really willing to take risks and publish very different kinds of stories, and the fiction offerings are neatly complemented by DVD and book reviews. Been a subscriber for 4 years; and I fully intend to renew this one. For an example of cool fiction, see the Foster story above.

-Beneath Ceaseless Skies: another one of the few I enjoy reading regularly: there’s a tremendous variety of style and subject matter, and a mix of new and established authors that combines to a very pleasant result. For an example of cool fiction, see the rich and complex “Thieves of Silence” by Holly Phillips, or Rodello Santos’s atmospheric “To Slay with a Thousand Kisses”, a neat take on cursed spirits.

Best Fanzine:
-StarshipSofa: yup, podcasts are eligible for the Hugo. Check out my previous post for more info.

Campbell Award:
-Rochita Loenen-Ruiz (First Year of Eligibility): Rochita has published fiction in Apex, Fantasy Magazine and Weird Tales. She has this beautiful, fluid writing style that allows her to move smoothly from a humorous, whimsical story like “Teaching a Pink Elephant to Ski” to more sombre subject matters like the plague-wracked world of “59 Beads”. My only regret is that she writes so little, because I sure as heck want to see more of her fiction out there getting recognition.

-Juliette Wade (Second Year of Eligibility): Juliette is a member of my crit group, Written in Blood, who has sold stories to Analog. She draws on her experience as a linguist to craft strange and utterly believable alien races in stories like “Cold Words” or “Let the Word Take Me”. She also has an awesome blog, “Talk to You Universe”, where she discusses worldbuilding, linguistics and strange customs, a must for spec-fic writers.

-Chris Kastensmidt (Second Year of Eligibility): Chris got a little unlucky for Campbell purposes, as he sold a single eligible story before a drought, a humorous retelling of Little Red Hood co-published with Jim C. Hines. His story “The Fortuitous Meeting of Gerard van Oost and Oludara”, an awesome tale of adventure, treasure hunting and magic set in colonial Brazil, is due out in the next issue of Realms of Fantasy. In the meantime, you can read his more humorous (but slightly dated) stuff here and here, and check out his awesome website for the Gerard van Oost and Oludar series here.

-Sean Markey (Second Year of Eligibility): Sean writes quirky stories with beautiful language. Check out “The Spider in You,” in Strange Horizons, a very odd and dark story about people who worship large poisonous spiders as gods, or “Waiting for the Green Woman”, a story of a very peculiar father-daughter relationship: what do you do when your daughter is a tree in the desert?

-Shweta Narayan (First Year of Eligibility): I really enjoy her stories–including “The Mechanical Aviary of Emperor Jalal-ud-din Muhammad Akbar”, in the Shimmer Jungle Clockwork issue, a clever set of nested stories set within a Hindu/Mughal milieu, and “Nira and I” in Strange Horizons, a beautiful story about mists, spirits and caste divisions.