SFF as metaphor: aliens, vampires, foreigners and immigrants

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I was going to do a coherent blog post on this, but I just could never find a structure that would work. So I decided to follow twitter advice (thanks to Dave Bretton!), and take a baseball bat to my argumentation.

Accordingly and for your reading pleasure, a series of disjointed observations on the use of aliens and supernatural creatures in SFF:

-When you portray a group of funky-looking people with odd customs who either live on different planets, or try to integrate in a modern human society–whether you consciously want it or not, you’re bringing to mind real-life parallels. Namely, respectively non-Western countries (during the colonial era or during the globalisation era, depending on your portrayal), and immigrant communities.
If you don’t believe me, put side-by-side the following: someone travels to a foreign planet and describes the sights; and someone else (of the somewhat clueless variety) travels to, say, Vietnam or China, and describes what they’ve seen, and what odd customs those people follow, or what odd things they eat. Or try this one: a group living on the margins of society (or within society but still not integrated), hiding their extent of their difference from a fearful and prejudiced mainstream; and say, the situation of Muslisms in modern-day US. See how broadly similar they are?
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Thursday linkage: diversity in fiction, plus misc.

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Couple of links:
-Joyce Chng at the World SF blog on the Russ Pledge seen from outside the Western Anglophone world.
-Jonathan Dotse on why the future isn’t Western
-And two from Cheryl Morgan: one crunching data on SF anthologies, and the other on “Diversity is Hard”.

In other news, Irene Kuo is a genius. I’m down to 6 recipes picked out of her Key to Chinese Cooking (tea eggs, cha siu, white-cut chicken, two broccoli recipes, and the sweet-sour sauce), and they all worked out great. Also, the explanations are really clear on why you should do stuff, and it makes for way easier cooking.

While googling stuff on how to use cornstarch, I found this book: On Food and Cooking by Harold McGee. Science and cooking? I’m sold… (but broke)

Recipe of the day: creative carrot cake (didn’t have raisins, so chopped up prunes after removing the stones; didn’t have orange zest, so added Orange Blossom instead; didn’t have walnuts, so put in pecans. And not entirely sure I had the right quantity of carrots. This could be fun)

Right. Back to the %%% story.

Diversity Statistics

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Garked from Vylar Kaftan, a rundown of characters in my stories by gender, race, sexual orientation, age, class and ability. I wanted to add religion as well, but faith is quite a different kettle of fish when the gods are allowed to be main characters.

I tracked 172 main characters: the arbitrary part of the selection was choosing whether a character should be included or not. I went with “has significant part in plot”, but even that is debatable… If a character appeared several times (in different stories), I only counted them once.

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