Tag: awards

Awards eligibility and recommendations

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I’m completely underwater with various family matters (sadly of an urgent nature), but I wanted to make a quick awards eligibility post, and to have a placeholder for those 2023 things I loved and wanted to recommend (I will update with recommendations as I catch up).

Eligibility
-First things first, “The Universe of Xuya” is eligible again in Best Series Hugo: more than 240,000 words have been published in it since it last was nominated (Seven of Infinities at 40k, The Red Scholar’s Wake at 82k, A Fire Born of Exile at 117k, “Mulberry and Owl”” in Uncanny Magazine at 7,9k, and “Rescue Party” in Mission Critical at 9,5k). The 2023 work that makes it eligible for Best Series is A Fire Born of Exile.

-“The Mausoleum’s Children”, my Wild Hunt/evil architects/broken spaceship story, is also eligible for Best Short Story: you can read it here.

Recommendations
-Best Novelette: “Ivy, Angelica, Bay” (Tor dot com) by CL Polk, a heartrending and heartwarming story of bees, changing neighbourhoods and witching.
-Best Novelette: “Six Versions of My Brother Found Under the Bridge” by Eugenia Triantafyllou, Uncanny Magazine : a story of a lost brother and his resourceful sister, and a family’s deal with the devil…

-Best Short Story: “The Sound of Children Screaming” by Rachael K. Jones. I read this and basically can’t get it out of my head. The brilliance of the two universes, the mice, the crowns, the magic… Searing and amazing.

Vote here for the Hugos and at the Members’ bit of the SWFA website for the Nebulas.

Awards eligibility and recommendations

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Finally, I got around to an awards eligibility and recommendations list which includes things by other people, so here it is:

My stuff:

The Red Scholar’s Wake (Gollancz in the UK, JABberwocky Literary Agency, Inc. in the US) is eligible for Best Novel.

Of Charms, Ghosts and Grievances from JABberwocky Literary Agency, Inc. aka “the murderbirds go babysitting” is eligible for Best Novella.

“Sword of Bone, Hall of Thorns” in The Sunday Morning Transport, is eligible for Best Short Story.

If you enjoyed my work, I would love if you nominated it for awards: these always help visibility, and it’s been a rough few years in terms of that (thank you not thank you divorce, pandemic and the apparent implosion of twitter, sigh).

Both The Red Scholar’s Wake and Of Charms, Ghosts and Grievances are on the BSFA longlist, and voting for that closes Feb 19th; meanwhile, Of Charms, Ghosts and Grievances is on the Nebula Recommended Reading list. Voting is this way for the BSFA, and this way for the Nebulas.

-The artwork by Alyssa Winans (UK cover of The Red Scholar’s Wake) is eligible for Best Artwork, and it’s notably on the BSFA longlist. Would love to see that one recognised because Alyssa has been doing stellar work. See above for the voting link.

Things I liked from last year:

“12 Things A Trini Should Know before Travelling to A Back In Times Fete ™”, RSA Garcia (Strange Horizons, short story): time travelling, slavery, and a sharp look at the dangers of the past.

-“can i offer you a nice egg in those trying times”, Iori Kusano (Uncanny Magazine, short story): portal stories, PTSD, and grief. Short and powerful.

“Lily the Immortal”, Kylie Lee Baker (Uncanny Magazine, short story): simulations after death, bittersweet and poignant.

-“Papa Legba has entered the chat”, DaVaun Sanders (Fireside, short story): police brutality, technology and old dark magic.

“Elsewhere, Elsewhere”, L. Chan (Giganotosaurus, short story): time magic, timeless love and timeless betrayals.

-The Sunday Morning Transport ed Julian Yap and Fran Wilde is eligible for Best Semiprozine. If you’d like to see what they publish: aside from my own “Sword of Bone, Hall of Thorns“, you can check this Yoon Ha Lee story they published last year which I absolutely loved.

Would also recommend checking out Sara A. Mueller’s The Bone Orchard for Best Novel which is court intrigue + Gothic decadence + whodunit!

 

2019 awards consideration post

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It’s that time of year again! I’ve had a 2019 and a half to say the least, so I’m afraid this is going to be a brief list, but I did want to highlight a few really really nice things I read last year, so without further ado.

For your consideration

My novel The House of Sundering Flames came out last year from Gollancz/JABberwocky, and wrapped up the Dominion of the Fallen series, a tale of a Gothic devastated Paris, Fallen angels, dragons, politics, colonialism and how to rebuild in the wake of huge devastation (also the cutest dragon toddler, the best murderbirds husbands aka the combination of a totally amoral Fallen and his increasingly distraught dragon partner, and the best Vietnamese aunties that you DO NOT want to cross)

It was long listed for the BSFA Award and is on the Locus Recommended list for Best Fantasy Novel, and here’s what people have said about it:

“A dark saga of ruined cities, fallen angels, and awakening dragons… a must read… an intoxicating blend of gothic mystery, apocalyptic fantasy, and Vietnamese myth—meaty, singular, and satisfying.”

Joel Cunningham, Barnes and Noble

“Incredible… one of the most original, fantasy settings I’ve seen”

Adrian Tchaikovsky, Arthur C. Clarke Award-winning author of Children of Ruin

You can get a copy here:

Buy Now
And you can read here:

Read chapter one online!

I’ve had the question, so yes, the “birthday goes wrong” comedy of manners “Of Birthdays, and Fungus, and Kindness” in my short story collection Of Wars, and Memories and Starlight is eligible for Best Novella if you so enjoyed it. The short story collection as a whole is eligible for Best Collection in awards like the World Fantasy Award.

EDIT: Farah Mendlesohn kindly reminded me that Dominion of the Fallen, as a whole, is eligible for Best Series if you happen to have a spot in your Hugo Awards ballot.

And here’s my list of things I loved this year! (I will, as usual, amend as I catch up on 2019, though I do have to be fair and warn that I’m not committing to this as this continues to be a bit of a wild year).

Novelette

Elizabeth Bear, “Deriving Life” 

A story about grief and alien symbiotes and a relationship torn apart by death. The characters in this are so strong, fair warning it’s a tear-jerker.

Short story

John Chu, “Probabilitea”

A sweet story about the daughter of a god-like figure who must learn to manipulate the future. Also, tea and maths!

Fran Wilde, “A Catalog of Storms”

Storms, winds’ names and a family–and what it means to be sister to a heroine.

Nghi Vo, “Boiled Bones and Black Eggs”

Hauntings at an inn, and how to banish a ghost. The food descriptions are mouth-watering, but beneath it is quite a sharp story about power and memory.

Eugenia Triantafyllou, “We are Here to Be Held”

A story of motherhood and monsters. I read this one at the beginning of the year and it’s kept sticking with me, it’s haunting and strange and just the right length.

Marie Brennan, “This is How”

Myths, ravens and dead children. Poetic and packs a punch.

Morgan Al-Moor, “The Beast Weeps with One Eye”

Dark bargains, survivals and the hunger of gods. I really loved the worldbuilding and the voice in this.

Novel

Tade Thompson, The Rosewater Redemption

Tade had two books out this year, but the finale of the Rosewater series (an alien invasion tale set in the eponymous city in Nigeria) is to me the most memorable, dealing with complex politics, colonialism as alien invasion, and how people from disparate walks of life can rise and fight to make something better.

Arkady Martine, A Memory Called Empire

Arkady’s book follows an ambassador from a space station in an alien and all-encroaching empire, and deals with her fascination and repulsion for her massive neighbour. The world building is amazing, and so is the storyline, which deals with the politics of encroachment and hegemony.

Kacen Callender, Queen of the Conquered

I wasn’t expecting this book to stab me in the chest and tear it apart, but that’s what it did. It’s a raw, unflinching look at slavery and its consequences in a re-imagined Carribean world where people have a  magic called kraft (which is forbidden to slaves), and one woman’s quest to get revenge at any cost and what it does to her.

Tasha Suri, Realm of Ash

Tasha’s strong followup to Empire of Sand follows a young widow who must learn to make her own life and find her own happiness–and, in the process, fight the darkness that has spread over the Ambhan empire. It’s strongly paced, imaginative, and has a delightful set of main characters with great chemistry.

Zen Cho, The True Queen

This was super sweet! The follow-up to the Sorcerer Royal follows a queer Muslim woman looking for her missing sister and dragged into the politics of Faerie. It’s a fun and fluffy English regency, with sharp digs at the reality of Regency for non-white colonial subjects. And also the sweetest dragon and his husband (Pogo is back!!). Can be read standalone from the book that precedes it (but you really should get both).

Norton

Fran Wilde, Riverland

This is an unflinching and much needed book about abuse and what it means for children. Sisters Mike and Eleanor hide under the bed at their home to find a safe place, and trade monster stories. But when the bed becomes the opening to a magical land, Eleanor must find a way to heal the land–and help Mike and herself finally find true safety.

Astounding Awards

I believe Tasha Suri is eligible for this one and it’s her last year of eligibility!

The Tea Master and the Detective won a Nebula Award!

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The Tea Master and the Detective won a Nebula Award!

The funny thing about living in Europe is that I blearily woke up this morning, made a tea to try and wake up while still rubbing my eyes, and while I was making a bottle of milk for my youngest I saw that my twitter mentions had exploded.

Which is basically how I found out that my gender-swapped space opera Sherlock Holmes retelling The Tea Master and the Detective (set in the Xuya Universe  and published by Subterranean Press and by JABberwocky) had won a Nebula Award for Best Novella (the awards were in Los Angeles so 9 hours behind me).

°_°

Below is the full text of my acceptance speech as kindly delivered for me by my good friend Fran Wilde, acceptor extraordinaire:

Uh. Whoa.

That was not expected.

I would like to thank Fran Wilde for accepting this award on my behalf, my editor Yanni Kuznia, Geralyn Lance, Bill Schafer, Gwenda Bond and everyone at Subterranean Press who worked on this book; my cover artists and designers Maurizio Manzieri, Gail Cross at Desert Isle Design and Dirk Berger, my agent John Berlyne as well as the JABberwocky team (Joshua Bilmes, Lisa Rodgers, Patrick Disselhorst) for the non-American edition. To my friends and supporters: Likhain, Zen Cho, Alis Rasmussen, Tade Thompson, Vida Cruz, Victor Fernando R. Ocampo, Cindy Pon, Kari Sperring, Liz Bourke, D Franklin, Zoe Johnson, Jeannette Ng, Nene Ormes, Ken Liu, Elizabeth Bear, Stephanie Burgis, Alessa Hinlo, Inksea, and Mary Robinette Kowal, as well as everyone who spread the word, nominated this and voted for it.

I wrote this book for fun: it was a story that mashed together two of my childhood idols, Sherlock Holmes and Judge Dee, one that came with no deadlines or expectations attached to it. One thing I realised was that it’s easy for writing–for any writing–to feel frivolous and self-indulgent. There are always more important things to do, especially as a mother of colour–children, family, day job, politics in an environment that feels like it’s swinging back to darker days, with people stopping me in the streets and telling me to go back home. It’s so easy to take the path of least resistance and put writing last, to always find something more important that needs to be done.

It’s so easy to choke for lack of self-care.

The truth, of course, is that writing matters. It is frivolous, it is self-indulgent, but it is also necessary. It is breathing space and act of resistance and escapism on my own terms. Stories shaped me as a child and continue to shape me as an adult. And it is a great and potent reminder of how far this particular one has gone to be accepting this award, now.

Thank you.

(picture thanks to Fran Wilde)

The Universe of Xuya and The Tea Master are Hugo finalists

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The Universe of Xuya and The Tea Master are Hugo finalists

I’m shocked and delighted that my long-running space opera series, The Universe of Xuya, and its latest outing, The Tea Master and the Detective, are finalists for a Hugo Award for Best Series and Best Novella, respectively. I conceived of Xuya as a sandbox where I could tell my stories –of family, and children, and what is passed on between generations, of a galactic empire taking its cues from Confucianism, Daoism and Buddhism as in the stories I grew up with–of people of Vietnamese descent who got to go into space and build their own societies and stories. The universe has been with me for a long time, growing alongside my career. It means a lot to me to see this recognised.

My deepest thanks to everyone who nominated it and spread the word. Thanks as well to everyone who made this possible by publishing the stories, and in particular the latest book, The Tea Master and the Detective–many thanks to Yanni Kuznia, Geralyn Lance, and everyone at Subterranean Press for a gorgeous and much successful book–and to John Berlyne, Joshua Bilmes, Lisa Rodgers, Patrick Disshelhorst and everyone at JABberwocky for the non-North American edition. And to my friends and to my fans, for the support that always keeps me going.

Also many congratulations to everyone on the ballot as this is a truly awesome list.

Children of Thorns, Children of Water up for a Hugo Award for Best Novelette

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Children of Thorns, Children of Water up for a Hugo Award for Best Novelette

So last week I couldn’t sleep—I was exhausted after 2.5 days of solo childcare (I assure you the 0.5 matters immensely), but apparently my body decided to be a jerk and I woke up at 4am. While waiting for tea to brew I idly checked my email, and found a thing marked “Confidential” in my mailbox.
I opened it and stared at it. The kettle switched itself off after boiling the water but I kept staring at the screen because it was 4am and surely it was a trick of super tired brain.

Spoilers: it was not.

Writers often get to sit on awesome things for a long long time, and this waiting was actually relatively short! It gives me great joy to say that “Children of Thorns, Children of Water”, the novelette I wrote as a preorder reward for The House of Binding Thorns, is up for a Hugo Award for Best Novelette (in a, er, very competitive category–will you look at that ballot  and everyone who’s on it °_°)

To everyone who read and considered my story of Bake Off in Gothic devastated Paris: thank you so much! This is by no means the detailed speech (still have to write that hahaha) but also thanks to everyone who weighed in on Facebook when I was brainstorming what kind of competition a magical faction would run for recruiting people, to Kate Elliott, Stephanie Burgis and Fran Wilde for believing in it (and especially to Steph and Fran for support with cover art and publicizing it); to Megan Crewe for super lovely super fast cover art; to Michelle Sagara for formatting the ebooks for me; to Gillian Redfearn, Genn McMenemy, Stevie Finegan and everyone at Gollancz for running the original giveaway; to Uncanny Magazine for its second life as a reprint, and to everyone who read and signal boosted it.

I’m over the moon.

And congrats and best of luck to my fellow nominees, and a special mention to Likhain whose art is awesome and to Fran Wilde whose short story is heartbreaking.

(also spoilers: it was super hard to go back to sleep in a timely fashion after the email hahaha!)

PPS: click here to read the story! And click here if you want to read more about the book in the same universe.

Last day to nominate for the Hugos!

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If you still need ideas/stuff to read at the last minute I’ve collected my recommendations here.

The short version: please consider Likhain (sample above) for your Best Fan Artist ballot, and Tade Thompson for the Campbell. And because I’ve repeatedly had the question: insofar as I can tell, the Xuya universe series is eligible in the Best Series category (meets the total wordcount and had 3 new volumes released in 2016: take your pick between “A Salvaging of Ghosts” , “A Hundred and Seventy Storms”, and “Pearl” in the excellent anthology The Starlit Wood–you can read the first two free online, or you can check out the Cheat Starter Guide to Xuya)

Awards consideration & recommendation post

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I usually put this up way sooner but this was a bit of an overwhelming year for me, for several reasons, apologies…

I feel like I should start with the usual call to action/disclaimer: if you’re eligible to vote for any of the awards (Nebulas/Hugos/etc.), then please do so, even if you felt you haven’t read enough. It’s a big field and few people can claim to have read everything that came out last year–and generally the people who recuse themselves from voting tend to be marginalised folks, which skews ballots. So please please vote?

With that in mind…

Continue reading →

House of Shattered Wings (and, er, a few other things) up for a Locus Award

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House of Shattered Wings (and, er, a few other things) up for a Locus Award

Rather psyched (and more than a bit shocked) to see the finalists for the Locus Awards.

My deepest thanks to everyone who thought my work worthy.

The complete list of finalists is here–it’s got some great stuff/people on it so why don’t you check it out if you haven’t already?

Last day for Hugo nominations

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Just a quick reminder that today is the last day for Hugo nominations (you have until 11:59pm Pacific time, and you can nominate if you’re a member of Sasquan, MidamericonII or Worldcon in Helsinki). You can find the nomination form here.

Please do nominate even if you feel you haven’t read widely enough: if you loved something, just put it on your ballot. This isn’t a quiz on the state of the genre, it’s a vote for things you liked in 2015 (and experience has shown that voters who recuse themselves as “not having read/watched enough” tend to overwhelmingly be marginalised folks, thereby biasing nomination results).

If you’re still looking for stuff to put on your ballot, here is my awards consideration post with stuff by me and a lot of other great people (insofar as I could and it made sense, I’ve included a lot of stuff available online for those last minute reading binges!).