-Edroxy (Roxanne) has a series on French Female Writers Through the Centuries: her latest review is of Marie NDiaye’s Three Strong Women, here. Whole series is worth reading, but this has some interesthing thoughts about NDiaye herself, and her sense of identity, or “truncated mixity” as she calls it, and handling what people expect her to write vs what she actually writes.

-Nancy Fulda on Readers, Feedback and Good Stories. One of the hardest lessons I learnt as a beginning writer is that you can’t please everyone (probably because by temperament and by upbringing, I tend to be nice to everyone)

In other news, busy weekend ahead: friends coming over on Saturday, and we’re probably headed into the 13e Sunday to see the New Year’s procession.

-The SFF translation awards is looking for donations and/or prizes: this is a prize for best translated SFF (split equally between the writer and the translator), both for long form and short form. It is solely financed by grants and by generous sponsors, so naturally seeks enough money to award a decent prize.
In a field which is over-focused on Western Anglophone works (I’ve rehashed this to death, so I won’t add anything), this is a most welcome breath of fresh air. Plus, awesome works on that list!. I’ve offered up a signed copy of Master of the House of Darts as a donation prize, and there is plenty more cool stuff on that list (and more to come!). So, if you feel like helping a worthy cause…

So, a very quick update, because 15+ people are showing up tonight tomorrow night at my house, in order to see off the Lunar Year in style (ok, I lie, nothing to do with that. We’re housewarming with a bad sense of timing).

-D’Obsidienne et de Sang, the French translation of Servant of the Underworld, would appear to be a finalist for the Prix Masterton, a French literary award for SFF and horror (mainly geared towards horror and dark fantasy if the list of past winners is to be believed). The shortlist includes China Miéville’s The City and the City, and Gail Carriger’s Soulless (opening novel of a series which, amusingly, I’m reading right now) Er, wow? (and yes, the irony of being listed under “Fiction translated into French” has not escaped me).
-Couple Obsidian and Blood spottings: Cynthia Ward mentions both Servant and Harbinger in her end-of-year recap for Acqueduct Press, Harbinger gets noted by Duncan Lawie in his end-of-year review for Strange Horizons; Jacob at Drying Ink (who did this amazing interview with me a while back) ponders why you should read Historical Fantasy in front of a rather fetching cover of Master of the House of Darts
-hum, did I mention “The Bleeding Man” was going to be in Ian Whates’ Dark Currents, an anthology debuting at Eastercon which includes Adrian Tchaikovsky, Adam Nevill, Tricia Sullivan, Rod Rees, Nina Allan, Andrew Hook, Finn Clarke, Lavie Tidhar, Jan Edwards, Emma Coleman, Rebecca J Payne, Sophia McDougall, Una McCormack, Neil Williamson, V.C. Linde? No, I don’t think I did (I’ve known for a bit, but it wasn’t public).

I’m working on an SF story involving probabilities, and finally got in my nominations for the BSFA (short fiction, since I didn’t actually read any 2011 novels except for the aforementioned Gail Carriger (Heartless, which technically I haven’t started, having just downloaded it to my ereader).

Actual content to come, including mini-reviews of Elizabeth Bear’s Range of Ghosts (short version: you have to pre-order this book now), and David Gemmell’s Troy.

Unlike the Muslim man, who uses space to establish male domination by excluding women from the public arena, the Western man manipulates time and light. He declares that in order to be beautiful, a woman must look 14 years old

(I think what Mernissi means here is “time and slenderness”, because “time and light” makes no sense in the context of the article)
(via ideealisme Don’t agree with everything, but it’s an interesting analysis of current standards of beauty)
-Kate Elliott on “Re-reading and the Experience of Narrative”: interesting thoughts on how the sense of urgency can shape certain modern narratives; and on how re-reading can parallel life:

In life, we come back to the same events or choices, back to similar things, and we can never see them in exactly the way we saw them the first time, or the last but one time, when we encountered a similar moment or that same issue.

-Ari Marmell on “The Shared DNA of Steampunk and Epic Fantasy”. Worth munching on, though I’m not entirely sure I buy the premise in its entirety (the basic nostalgia drive is bang-on, but the parallels that are drawn feel a little too neat. Haven’t had time to think about this properly yet).
-And a random food link: thịt heo kho trứng (caramelised/braised pork with eggs) in steamed buns, from Blue Apocalypse. Yum.

This is a charity auction in the style of many others that have been run, in which fan creations are auctioned off in exchange for donations.

Over 900 people in Mindanao, Philippines, have died in the floods that Typhoon Sendong (local name)/Washi (international name) just days before Christmas. Hundreds more are missing, and thousands have been displaced.

If you can donate or bid, please take a look! The community is here: help_mindanao.

-Broad Universe publishes stats on diversity in genre

-The World SF blog Tuesday fiction is “City of Silence” by Ma Boyong (translated by Ken Liu): part 1, part 2. Incidentally, the blog is also looking for fiction they could showcase–preferably set outside the US/UK, or by authors from outside the US/UK (note that this overlaps with, but is not *quite* the same thing as fiction by US/UK PoCs). No payment, unfortunately–everyone’s a volunteer and the website runs on a shoestring, but you’d be contributing to a worthy cause; and they take reprints and stories that have been hard-pressed to find a home elsewhere.

-Several people, including Kate Elliott, Juliet McKenna, Sherwood Smith, report on the WFC “The Glass Ceiling” panel about women vs men in the field. Nothing very new, sadly, but I find the concept of male vs. female gaze fascinating (even though the dynamics that are used here are, I suspect, mostly US or UK. It’s occurred to me recently that French and Vietnamese culture probably don’t have quite the same sexual dynamics or problems, though I’d be hard pressed to pinpoint the bits that are different. Bit hard when you’re submerged in the culture to analyse it) . Also, see an older postby N.K. Jemisin, which raises some interesting questions on the same topic, especially RE sex scenes. (I tend to avoid sex scenes in my writing because reading them bores me, but I can totally understand why other people would want them in their books)

-Keyan Bowes on “Why I write American”, chiming in on the differences between Asian (where she used to live) and American fiction as she perceives them
-Amal El-Mohtar on “Towards a Steampunk Without Steam”, a great discussion on why imposing Victorian values on steampunk is a bad idea (and yes, it’s an old post)
-Gabrielle Gantz interviews me for The Faster Times
-Lawrence M Schoen interviews me for his feature Eating Authors
-Val’s Random Comments weighs in on Master of the House of Darts (aka, thank God, the book is working)
-Jaoob at Drying Ink reviews Master of the House of Darts

In other news, huge congrats to the Angry Robot overlords Marc Gascoigne and Lee Harris for winning the World Fantasy Award last night! (even though a bit sad there wasn’t a Bragelonne win, as this would have been the very first win of a non-Anglophone) The complete list of winners is here.

And Happy Halloween everyone–we don’t celebrate here, so I’m going to stick to some phở…