Over at the Super-Sekrit Clubhouse, Marshall Payne interviews Vylar Kaftan, about writing, life in California, and her short story “Break the Vessel”:
Interview with Vylar Kaftan

The easiest part [of crafting a story] is characters. They just appear on the page and flesh themselves out like magic. Possibly because I’ve been people-watching forever. The hardest part is letting go of my own ridiculously high standards and accepting that things are always, always lost in translation from imagination to words—and that’s just the nature of the beast.

(and while you’re at it, check out the rest of the Super-Sekrit clubhouse: fun cartoons, birthday posts, and more neat interviews)

Fellow Angry Robot author and Apex Book of World SF Lavie Tidhar gets interviewed over at SF Signal on World SF. Fascinating stuff: go check it out.
Interview with Lavie Tidhar about World SF

To me, [World SF] is first of all the kind of SF written in languages other than English, but that doesn’t take into account that small – but visible! – part of writers choosing to work in English despite it being their second – or even third! – language. And then, English has become such a universal language that in many places it has acquired its own regional flavor – take India or Malaysia or South Africa. And then, what about writers from one background living in another? Is Nnedi Okorafor an American writer or a Nigerian writer? Identities today can easily have two or three layers.

(in related shameless promotion offers, you can preorder the Apex Book of World SF here and get Lavie’s super collection HebrewPunk for only $10.00, in addition to my story “The Lost Xuyan Bride” and lots of cool-sounding contributions in the book per se)